Various Caprices: The Two Soldiers and the Two Women
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provider_nameCleveland Museum of Art
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subject_creditlineVarious Caprices: The Two Soldiers and the Two Women, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.4
subject_titleVarious Caprices: The Two Soldiers and the Two Women
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subject_creditlineVarious Caprices: The Woman Standing with Hands on a Vase, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.5
subject_titleVarious Caprices: The Woman Standing with Hands on a Vase
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subject_creditlineVarious Caprices: The Woman in Handcuffs, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.8
subject_titleVarious Caprices: The Woman in Handcuffs
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVarious Caprices: The Young Soldier and the Astrologer, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.10
subject_titleVarious Caprices: The Young Soldier and the Astrologer
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of W.G. Russell Allen
subject_titleSoldier Seated on a Tomb with Surrounding Figures
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineVarious Caprices: Death Giving Audience, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.9
subject_titleVarious Caprices: Death Giving Audience
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provider_nameCleveland Museum of Art
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subject_creditlineVarious Caprices: The Three Soldiers and the Boy, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.3
subject_titleVarious Caprices: The Three Soldiers and the Boy
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provider_nameCleveland Museum of Art
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subject_creditlineScherzi di Fantasia: Satyr Family with the Obelisk, 1750–60. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1924.529
subject_titleScherzi di Fantasia: Satyr Family with the Obelisk
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provider_nameCleveland Museum of Art
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subject_creditlineVarious Caprices: The Philosopher Standing with Book, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.7
subject_titleVarious Caprices: The Philosopher Standing with Book
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1918
subject_titleChained Woman and Other Figures Regarding a Pyre of Bones, from the "Capricci"
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provider_nameCleveland Museum of Art
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subject_creditlineVarious Caprices: The Woman with Tambourine, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.575.6
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleFabius Maximus before the Senate at Carthage
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