God Creates Them and They Join Up Together
Providercma
Depiction ID1924.915_web
Subject ID1924.915
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Providercma
Depiction ID1924.915_web
Subject ID1924.915
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGod Creates Them and They Join Up Together, 1815–24. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Philip Hofer, 1924.915
subject_titleGod Creates Them and They Join Up Together
subject_urlhttps://clevelandart.org/art/1924.915
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Proverbs: God Creates Them and They Join Up Together, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.18
subject_titleThe Proverbs: God Creates Them and They Join Up Together
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1931
subject_title'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/333961
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: I Saw It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.560
subject_titleThe Horrors of War: I Saw It
subject_urlhttps://clevelandart.org/art/1922.560
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/397503
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.542
subject_titleBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCarnival Folly, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384326
typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleGeneral Folly, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/397766
typeimage
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Providermetmuseum
Depiction IDmetmuseum:333834:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_title'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/333834
typeimage
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Providermetmuseum
Depiction IDmetmuseum:384328:primaryImage
Subject IDmetmuseum:384328
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleLoyalty, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384328
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
subject_titleThe Horrors of War: It's No Use Crying Out
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Neither Do These, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.527
subject_titleThe Horrors of War: Neither Do These
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: It Serves You Right, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.522
subject_titleThe Horrors of War: It Serves You Right
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
subject_urlhttps://www.metmuseum.org/art/collection/search/381404
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
subject_titleThe Horrors of War: It Will Be the Same
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineGift of Samuel A. Berger
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: They Do Not Agree, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.533
subject_titleThe Horrors of War: They Do Not Agree
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCruel Folly, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384321
typeimage
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Providercma
Depiction ID1923.578_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
subject_titleBullfights: The Death of Pepe Illo (3rd Composition)
subject_urlhttps://clevelandart.org/art/1923.578
typeimage