Vous voulez accompagner à pied le corps de votre - Oui c'est une occasion de marche un peu.
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Providercma
Depiction ID1925.1047_web
Subject ID1925.1047
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVous voulez accompagner à pied le corps de votre - Oui c'est une occasion de marche un peu., c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1047
subject_titleVous voulez accompagner à pied le corps de votre - Oui c'est une occasion de marche un peu.
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCharlot arrête toi je t'en supplie, jai jambres brisées, c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1041
subject_titleCharlot arrête toi je t'en supplie, jai jambres brisées
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAvec l'internationale, plus d'armies, plus de militaires rien que les guerres civiles, c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1040
subject_titleAvec l'internationale, plus d'armies, plus de militaires rien que les guerres civiles
subject_urlhttps://clevelandart.org/art/1925.1040
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNon! pas de négresse, je suis pacifiste je voudrais une dame boche, c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1049
subject_titleNon! pas de négresse, je suis pacifiste je voudrais une dame boche
subject_urlhttps://clevelandart.org/art/1925.1049
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGrand'mère, it était passioment aujourd'hui le cours sur Malthus., c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1048
subject_titleGrand'mère, it était passioment aujourd'hui le cours sur Malthus.
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIn an Elevator, 1916. George Bellows (American, 1882–1925). Lithograph; platemark: 25.3 x 20.3 cm (9 15/16 x 8 in.); sheet: 32.8 x 26.9 cm (12 15/16 x 10 9/16 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.606
subject_titleIn an Elevator
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provider_nameMuseum of Modern Art
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provider_nameMuseum of Modern Art
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subject_creditlineGift of the Associates of the Department of Prints and Illustrated Books
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Providercma
Depiction ID1925.1042_web
Subject ID1925.1042
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEt cela vaut! 100,000! et tout le monde le sait., c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1042
subject_titleEt cela vaut! 100,000! et tout le monde le sait.
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Jean Charlot, 1930
subject_titleA group of mother-in-laws flanked by two men
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineToujours pacifiste? la guerre t'a pourtant reussi!, c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1044
subject_titleToujours pacifiste? la guerre t'a pourtant reussi!
subject_urlhttps://clevelandart.org/art/1925.1044
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMama, si tu ne peux pas garder de souliers ce n'est pas la peine d'avoir fait fortune, c. 1920s. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1046
subject_titleMama, si tu ne peux pas garder de souliers ce n'est pas la peine d'avoir fait fortune
subject_urlhttps://clevelandart.org/art/1925.1046
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInterior with a Screen, c. 1893. Édouard Vuillard (French, 1868–1940). Lithograph on buff wove paper; image: 25 x 31 cm (9 13/16 x 12 3/16 in.); sheet: 27.7 x 38.1 cm (10 7/8 x 15 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.159
subject_titleInterior with a Screen
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subject_creditlineInterior with a Screen, c. 1893. Édouard Vuillard (French, 1868–1940). Lithograph on buff wove paper; image: 25 x 31 cm (9 13/16 x 12 3/16 in.); sheet: 27.7 x 38.1 cm (10 7/8 x 15 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.159
subject_titleInterior with a Screen
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provider_nameMuseum of Modern Art
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subject_creditlineGift of Abby Aldrich Rockefeller (by exchange)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIt is the Table on Which the Treaty of Versailles was Signed, 1919. Hermann Paul (French, 1864–1940). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1039
subject_titleIt is the Table on Which the Treaty of Versailles was Signed
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provider_nameMuseum of Modern Art
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subject_creditlineThe Ingram Merrill Foundation Fund
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhat Came of Killing a Rich Uncle One Christmas Time, 1865. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.404
subject_titleWhat Came of Killing a Rich Uncle One Christmas Time
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwo to One on the Major, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.391
subject_titleTwo to One on the Major
subject_urlhttps://clevelandart.org/art/1924.391
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