Views:  La Maison a l'inscription
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Subject ID1925.1239.12
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provider_nameCleveland Museum of Art
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subject_creditlineViews: La Maison a l'inscription, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.12
subject_titleViews: La Maison a l'inscription
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1918
subject_titleVedute altre prese da i luoghi altre ideate
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provider_nameCleveland Museum of Art
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subject_creditlineViews: La Maison a l'inscription, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.12
subject_titleViews: La Maison a l'inscription
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provider_nameCleveland Museum of Art
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subject_creditlineViews: A House Surrounded by Six Columns, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.13
subject_titleViews: A House Surrounded by Six Columns
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provider_nameCleveland Museum of Art
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subject_creditlineViews: A House Surrounded by Six Columns, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.13
subject_titleViews: A House Surrounded by Six Columns
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Gift of Mary V.T. Eberstadt and Bequest of Gertrude Moira Flanagan, by exchange, 1973
subject_titleImaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
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Providermetmuseum
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subject_titleVedute altre prese da i luoghi altre ideate
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineViews: The Terrace, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.21
subject_titleViews: The Terrace
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Gift of Mary V.T. Eberstadt and Bequest of Gertrude Moira Flanagan, by exchange, 1973
subject_titleImaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
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provider_nameCleveland Museum of Art
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subject_creditlineViews: La Maison a l'inscription, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.12
subject_titleViews: La Maison a l'inscription
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titlePlate 15: Forum of Augustus (Foro di Augusto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
subject_urlhttps://www.metmuseum.org/art/collection/search/365357
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA Woman Standing by a Seated Man
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subject_creditlineBequest of Grace M. Pugh, 1986
subject_titleVillage Scene with Woman Standing Beside a Seated Man (copy)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Portico with the Lantern, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.10
subject_titleViews: The Portico with the Lantern
subject_urlhttps://clevelandart.org/art/1925.1239.10
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 5: The Ancient Temple: a woman descending a staircase at left and giving alms to a beggar, a rotunda at right, from "Les soirées de Rome"
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titleThe Well, from "Carceri d'invenzione" (Imaginary Prisons)
subject_urlhttps://www.metmuseum.org/art/collection/search/362670
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provider_nameCleveland Museum of Art
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subject_creditlineViews: A House Surrounded by Six Columns, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.13
subject_titleViews: A House Surrounded by Six Columns
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titlePlate 18: The Tomb of the Scipios (Sepolcro della famiglia de' Scipioni), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia"
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineViews: A City Beyond a River, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.23
subject_titleViews: A City Beyond a River
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of William S. Lieberman, 2005
subject_titleView from the Artist's Studio Window, Rome
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineViews: The Equestrian Monument, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.20
subject_titleViews: The Equestrian Monument
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