Views: Fragments of Sculpture
Providercma
Depiction ID1925.1239.29_web
Subject ID1925.1239.29
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Providercma
Depiction ID1925.1239.29_web
Subject ID1925.1239.29
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: Fragments of Sculpture, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.29
subject_titleViews: Fragments of Sculpture
subject_urlhttps://clevelandart.org/art/1925.1239.29
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
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Providercma
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Subject ID1925.1239.30
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Little Monument under a Tree, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.30
subject_titleViews: The Little Monument under a Tree
subject_urlhttps://clevelandart.org/art/1925.1239.30
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Providercma
Depiction ID1925.1239.31_alt0_web
Subject ID1925.1239.31
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: A Wagon Passing over a Bridge, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.31
subject_titleViews: A Wagon Passing over a Bridge
subject_urlhttps://clevelandart.org/art/1925.1239.31
typeimage
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Providermetmuseum
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Subject IDmetmuseum:371691
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleGallery, Nôtre-Dame Cathedral, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/371691
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Providercma
Depiction ID1925.1239.20_web
Subject ID1925.1239.20
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Equestrian Monument, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.20
subject_titleViews: The Equestrian Monument
subject_urlhttps://clevelandart.org/art/1925.1239.20
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Providercma
Depiction ID1925.1239.25_web
Subject ID1925.1239.25
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: Two Ruined Pillars, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.25
subject_titleViews: Two Ruined Pillars
subject_urlhttps://clevelandart.org/art/1925.1239.25
typeimage
Distance0.1544007
Providermetmuseum
Depiction IDmetmuseum:343101:primaryImage
Subject IDmetmuseum:343101
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Harris Brisbane Dick Fund and Joseph Pulitzer Bequest, 1971
subject_titleStudy for a Garden Capriccio
subject_urlhttps://www.metmuseum.org/art/collection/search/343101
typeimage
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Providermetmuseum
Depiction IDmetmuseum:429821:primaryImage
Subject IDmetmuseum:429821
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP889780.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe J. B. Neumann Collection, Gift of Dr. Franz H. Hirschland, 1951
subject_titleEscalier d'un Château (Staircase of a Château)
subject_urlhttps://www.metmuseum.org/art/collection/search/429821
typeimage
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Providermetmuseum
Depiction IDmetmuseum:360050:primaryImage
Subject IDmetmuseum:360050
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP827974.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titleFrontispiece from "Prima Parte di Architetture, e Prospettive"
subject_urlhttps://www.metmuseum.org/art/collection/search/360050
typeimage
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Providercma
Depiction ID1953.682_web
Subject ID1953.682
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEtchings of Paris: The Gallery of Notre Dame, 1853. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, Bequest of Grover Higgins, 1953.682
subject_titleEtchings of Paris: The Gallery of Notre Dame
subject_urlhttps://clevelandart.org/art/1953.682
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Providercma
Depiction ID1954.915_web
Subject ID1954.915
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEntrance to the French Capuchin Convent at Athens, 1854. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.915
subject_titleEntrance to the French Capuchin Convent at Athens
subject_urlhttps://clevelandart.org/art/1954.915
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Providercma
Depiction ID1942.749_web
Subject ID1942.749
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEtchings of Paris: The Gallery of Notre Dame, 1853. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, Bequest of John L. Severance, 1942.749
subject_titleEtchings of Paris: The Gallery of Notre Dame
subject_urlhttps://clevelandart.org/art/1942.749
typeimage
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Providercma
Depiction ID1918.102_web
Subject ID1918.102
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRuins of the Palais Gallien in Bordeaux, 1866–74. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.102
subject_titleRuins of the Palais Gallien in Bordeaux
subject_urlhttps://clevelandart.org/art/1918.102
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Providercma
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Subject ID1918.102
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRuins of the Palais Gallien in Bordeaux, 1866–74. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.102
subject_titleRuins of the Palais Gallien in Bordeaux
subject_urlhttps://clevelandart.org/art/1918.102
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Providercma
Depiction ID1941.26.7_web
Subject ID1941.26.7
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Prisons: A Prison Door, 1745–1750. Giovanni Battista Piranesi (Italian, 1720–1778). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1941.26.7
subject_titleThe Prisons: A Prison Door
subject_urlhttps://clevelandart.org/art/1941.26.7
typeimage
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Providermetmuseum
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Subject IDmetmuseum:362912
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titleFrontispiece, with Statue of Minerva, from "Vedute di Roma"
subject_urlhttps://www.metmuseum.org/art/collection/search/362912
typeimage
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Providermetmuseum
Depiction IDmetmuseum:359058:primaryImage
Subject IDmetmuseum:359058
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP809687.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titleDesign for a Stage Set at the Opéra, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/359058
typeimage
Distance0.16808188
Providercma
Depiction ID1925.1239.21_web
Subject ID1925.1239.21
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1239.21/1925.1239.21_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Terrace, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.21
subject_titleViews: The Terrace
subject_urlhttps://clevelandart.org/art/1925.1239.21
typeimage
Distance0.16845542
Providercma
Depiction ID1954.883_web
Subject ID1954.883
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Etchings of Paris: The Gallery of Notre Dame, 1853. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.883
subject_titleThe Etchings of Paris: The Gallery of Notre Dame
subject_urlhttps://clevelandart.org/art/1954.883
typeimage
Distance0.16898274
Providermetmuseum
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Subject IDmetmuseum:390216
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Herbert Mitchell, 2008
subject_titleCity with a Column and a Church, from "Roman Ruins and Buildings"
subject_urlhttps://www.metmuseum.org/art/collection/search/390216
typeimage
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Providercma
Depiction ID1929.835_web
Subject ID1929.835
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Rome: The Tomb, called La Connocchia, 1776. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Salmon P. Halle, 1929.835
subject_titleViews of Rome: The Tomb, called La Connocchia
subject_urlhttps://clevelandart.org/art/1929.835
typeimage