Allegory of the Rescue of Humanity: Virtus Deserta
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Providercma
Depiction ID1925.155.b_web
Subject ID1925.155.b
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Created2026-10-07
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subject_creditlineAllegory of the Rescue of Humanity: Virtus Deserta, c. 1500–1505. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, about 1431–1506). Engraving printed on two sheets. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.155.b
subject_titleAllegory of the Rescue of Humanity: Virtus Deserta
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subject_titleIgnorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
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provider_nameCleveland Museum of Art
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subject_creditlineAllegory of the Fall of Ignorant Humanity, c. 1500–1505. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, about 1431–1506). Engraving printed on two sheets. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.155
subject_titleAllegory of the Fall of Ignorant Humanity
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subject_titleCombat of Naked Men
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subject_titleIgnorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
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Providermetmuseum
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subject_titleBurning of a corpse
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Providermetmuseum
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subject_titleVulcan's Forge
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subject_creditlineGift of Miss Helen J. Baker, 1937
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Providercma
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subject_creditlineHercules Driving Envy from the Temple of the Muses, 1522–24. Ugo da Carpi (Italian, c. 1479–c. 1532), after Balthasar Peruzzi (Italian, 1481–1536). Chiaroscuro woodcut (in black and gray); sheet: 29.5 x 22.5 cm (11 5/8 x 8 7/8 in.). The Cleveland Museum of Art, Gift of Ralph King, 1925.443
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