Diagram for Lance Practice
Providercma
Depiction ID1927.293_web
Subject ID1927.293
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1927.293_web
Subject ID1927.293
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDiagram for Lance Practice, 1700s. France. Etching. The Cleveland Museum of Art, Gift of Theodore Sizer, 1927.293
subject_titleDiagram for Lance Practice
subject_urlhttps://clevelandart.org/art/1927.293
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Higher values (10 or above) are often better for text queries. Current value is 0.0
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Providercma
Depiction ID1923.277.9_web
Subject ID1923.277.9
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Large Miseries of War: The Strappado, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.9
subject_titleThe Large Miseries of War: The Strappado
subject_urlhttps://clevelandart.org/art/1923.277.9
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Providermetmuseum
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Subject IDmetmuseum:417799
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 35, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
subject_urlhttps://www.metmuseum.org/art/collection/search/417799
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Providermetmuseum
Depiction IDmetmuseum:417805:primaryImage
Subject IDmetmuseum:417805
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 10, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
subject_urlhttps://www.metmuseum.org/art/collection/search/417805
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Providercma
Depiction ID1923.277.13_web
Subject ID1923.277.13
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previewhttps://openaccess-cdn.clevelandart.org/1923.277.13/1923.277.13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Large Miseries of War: Execution on the Wheel, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.13
subject_titleThe Large Miseries of War: Execution on the Wheel
subject_urlhttps://clevelandart.org/art/1923.277.13
typeimage
Distance0.23531389
Providermetmuseum
Depiction IDmetmuseum:703036:primaryImage
Subject IDmetmuseum:703036
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1981
subject_titleStage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei'
subject_urlhttps://www.metmuseum.org/art/collection/search/703036
typeimage
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Providermetmuseum
Depiction IDmetmuseum:384307:primaryImage
Subject IDmetmuseum:384307
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP-22640-001.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2008
subject_titleLinear Perspective, Applied to the Art of Painting: A Collection of Studies in Perspective
subject_urlhttps://www.metmuseum.org/art/collection/search/384307
typeimage
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Providermetmuseum
Depiction IDmetmuseum:591832:primaryImage
Subject IDmetmuseum:591832
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depiction_urlhttps://images.metmuseum.org/CRDImages/li/original/li240.7 T344 F.R.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchased with income from the Jacob S. Rogers Fund
subject_titleAcademie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .
subject_urlhttps://www.metmuseum.org/art/collection/search/591832
typeimage
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Providercma
Depiction ID1978.136.4_web
Subject ID1978.136.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Gates of the Arsenal, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.4
subject_titleViews of Venice: The Gates of the Arsenal
subject_urlhttps://clevelandart.org/art/1978.136.4
typeimage
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Providercma
Depiction ID1923.277.16_web
Subject ID1923.277.16
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Large Miseries of War: Peasant's Revenge, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.16
subject_titleThe Large Miseries of War: Peasant's Revenge
subject_urlhttps://clevelandart.org/art/1923.277.16
typeimage
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Providermetmuseum
Depiction IDmetmuseum:416051:primaryImage
Subject IDmetmuseum:416051
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from "Le Antichità Romane"
subject_urlhttps://www.metmuseum.org/art/collection/search/416051
typeimage
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Providercma
Depiction ID1923.277.5_web
Subject ID1923.277.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.277.5/1923.277.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Large Miseries of War: Pillaging, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.5
subject_titleThe Large Miseries of War: Pillaging
subject_urlhttps://clevelandart.org/art/1923.277.5
typeimage
Distance0.24228734
Providermetmuseum
Depiction IDmetmuseum:707455:primaryImage
Subject IDmetmuseum:707455
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depiction_urlhttps://images.metmuseum.org/CRDImages/li/original/DP373439.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineJane E. Andrews Fund, in memory of her husband, William Loring Andrews, 1955
subject_titleRecueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques : avec leur explication
subject_urlhttps://www.metmuseum.org/art/collection/search/707455
typeimage
Distance0.24629009
Providermetmuseum
Depiction IDmetmuseum:700512:primaryImage
Subject IDmetmuseum:700512
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titleTwo men in classical armor and two women looking at the mechanical devices on either side of an open courtyard; set design from 'Il Fuoco Eterno'
subject_urlhttps://www.metmuseum.org/art/collection/search/700512
typeimage
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Providercma
Depiction ID1930.542_alt0_web
Subject ID1930.542
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline (Les Soirées de Rome): Le Poteau, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.542
subject_titleLe Poteau
subject_urlhttps://clevelandart.org/art/1930.542
typeimage
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Providermetmuseum
Depiction IDmetmuseum:417714:primaryImage
Subject IDmetmuseum:417714
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 34, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
subject_urlhttps://www.metmuseum.org/art/collection/search/417714
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Providermoma
Depiction ID7c98de069d53ad51
Subject ID89258
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlinePurchase
subject_title
subject_urlhttps://www.moma.org/collection/works/89258
typeimage
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Providermetmuseum
Depiction IDmetmuseum:341683:primaryImage
Subject IDmetmuseum:341683
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1941
subject_titleMarriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae"
subject_urlhttps://www.metmuseum.org/art/collection/search/341683
typeimage
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Providermetmuseum
Depiction IDmetmuseum:387808:primaryImage
Subject IDmetmuseum:387808
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP817080.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP817080.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of James Clark McGuire, 1930
subject_titleLast Illustration from Dürer's "Treatise on Fortification"
subject_urlhttps://www.metmuseum.org/art/collection/search/387808
typeimage
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Providercma
Depiction ID1925.1239.27_alt0_web
Subject ID1925.1239.27
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: Three Columns and a Statue on the Sea Coast, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.27
subject_titleViews: Three Columns and a Statue on the Sea Coast
subject_urlhttps://clevelandart.org/art/1925.1239.27
typeimage
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Providercma
Depiction ID1925.1239.28_alt0_web
Subject ID1925.1239.28
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: Le Pilier isolè, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.28
subject_titleViews: Le Pilier isolè
subject_urlhttps://clevelandart.org/art/1925.1239.28
typeimage