The Proverbs: Poor Folly
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Poor Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.11
subject_titleThe Proverbs: Poor Folly
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Wounds Heal Quicker Than Hasty Words, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.16
subject_titleThe Proverbs: Wounds Heal Quicker Than Hasty Words
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Carnival Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.14
subject_titleThe Proverbs: Carnival Folly
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: God Creates Them and They Join Up Together, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.18
subject_titleThe Proverbs: God Creates Them and They Join Up Together
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Loyalty, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.17
subject_titleThe Proverbs: Loyalty
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Clear Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.15
subject_titleThe Proverbs: Clear Folly
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: General Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.9
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Matrimonial Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.7
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
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subject_creditlineDance in a Madhouse, 1917. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.605
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provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Clear Folly' from the 'Disparates' (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Proverbs: If Marion Will Dance, Then She Has to Take the Consequences, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.12
subject_titleThe Proverbs: If Marion Will Dance, Then She Has to Take the Consequences
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
subject_titleThe Horrors of War: This Is Bad
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provider_nameCleveland Museum of Art
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subject_creditlineMassacre at Dinant, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1937.506
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
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