The Prodigal Son:  The Prodigal Tending the Pigs
Providercma
Depiction ID1929.560.3_web
Subject ID1929.560.3
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Providercma
Depiction ID1929.560.3_web
Subject ID1929.560.3
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Created2026-10-07
Embeddingslink
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Prodigal Son: The Prodigal Tending the Pigs, 1635. Abraham Bosse (French, 1602–1676). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.560.3
subject_titleThe Prodigal Son: The Prodigal Tending the Pigs
subject_urlhttps://clevelandart.org/art/1929.560.3
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleThe Prodigal Son Guarding Pigs (L'Enfant prodigue garde les cochons)
subject_urlhttps://www.metmuseum.org/art/collection/search/390835
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleThe Prodigal Son Guarding Pigs
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleThe Prodigal Son Guarding Pigs
subject_urlhttps://www.metmuseum.org/art/collection/search/386088
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleThe Prodigal Son Among the Swine
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineScenes of the Prophet Elijah: Elisha and Elijah's Chariot of Fire, 1604. Jan Saenredam (Dutch, 1565–1607), Jan Saenredam (Dutch, 1565–1607), after Abraham Bloemaert (Dutch, 1566–1651). Engraving; sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Louise S. Richards, 1991.264
subject_titleElisha and Elijah's Chariot of Fire
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Providermetmuseum
Depiction IDmetmuseum:385958:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleThe Prodigal Son Guarding Pigs
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Providermetmuseum
Depiction IDmetmuseum:390835:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleThe Prodigal Son Guarding Pigs (L'Enfant prodigue garde les cochons)
subject_urlhttps://www.metmuseum.org/art/collection/search/390835
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Prodigal Son: The Return of the Prodigal, 1635. Abraham Bosse (French, 1602–1676). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.560.4
subject_titleThe Prodigal Son: The Return of the Prodigal
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provider_nameCleveland Museum of Art
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subject_creditlineSix large upright landscapes with scenes from Ovid's Metamorphoses: Venus and Adonis, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Gift of Grover Higgins, 1927.68.5
subject_titleSix large upright landscapes with scenes from Ovid's Metamorphoses: Venus and Adonis
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provider_nameCleveland Museum of Art
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subject_creditlineSix large upright landscapes with scenes from Ovid's Metamorphoses: The Death of Adonis, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Gift of Grover Higgins, 1927.68.6
subject_titleSix large upright landscapes with scenes from Ovid's Metamorphoses: The Death of Adonis
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1953
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Providercma
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subject_creditlineThe Flight into Egypt, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching and engraving. The Cleveland Museum of Art, Gift of Louise S. Richards in appreciation of The Print Club of Cleveland, 1987.92
subject_titleThe Flight into Egypt
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subject_creditlineThe Flight into Egypt: The Large Tree and the Cascade, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.2
subject_titleThe Flight into Egypt: The Large Tree and the Cascade
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Providercma
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