Les Soirées de Rome: L'Escalier aux quatre bornes
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Subject ID1930.547
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Providercma
Depiction ID1930.547_web
Subject ID1930.547
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
subject_titleLes Soirées de Rome: L'Escalier aux quatre bornes
subject_urlhttps://clevelandart.org/art/1930.547
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleL'Escalier aux Quatre Bornes
subject_urlhttps://www.metmuseum.org/art/collection/search/385769
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 4: remains of a classical monument to right surmounted by a mask and tablet, a figure sitting on the porch, four figures on a staircase to left, four milestones below, from "Les soirées de Rome"
subject_urlhttps://www.metmuseum.org/art/collection/search/399278
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Subject ID1930.547
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
subject_titleLes Soirées de Rome: L'Escalier aux quatre bornes
subject_urlhttps://clevelandart.org/art/1930.547
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: The Stairs, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1983.164
subject_titleLes Soirées de Rome: The Stairs
subject_urlhttps://clevelandart.org/art/1983.164
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Providercma
Depiction ID1930.548_web
Subject ID1930.548
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
subject_urlhttps://clevelandart.org/art/1930.548
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Providermetmuseum
Depiction IDmetmuseum:385766:primaryImage
Subject IDmetmuseum:385766
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleLa Statue en Avant les Ruines
subject_urlhttps://www.metmuseum.org/art/collection/search/385766
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Providercma
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Subject ID1930.550
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline (Les Soirées de Rome): Le Temple Antique, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.550
subject_titleLe Temple Antique
subject_urlhttps://clevelandart.org/art/1930.550
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Providercma
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Subject ID1930.548
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
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Providercma
Depiction ID1930.541_web
Subject ID1930.541
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline (Les Soirées de Rome): Le Sarcophage, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.541
subject_titleLe Sarcophage
subject_urlhttps://clevelandart.org/art/1930.541
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956
subject_titleAltra V. del Tempio della Sibilla in Tivoli (Another view of the Temple of the Sibyl in Tivoli)
subject_urlhttps://www.metmuseum.org/art/collection/search/363045
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleL'Escalier aux Quatre Bornes
subject_urlhttps://www.metmuseum.org/art/collection/search/385769
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Providermetmuseum
Depiction IDmetmuseum:359673:primaryImage
Subject IDmetmuseum:359673
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2003
subject_titleA Shepherd under a Ruined Arch with the Farnese Hercules
subject_urlhttps://www.metmuseum.org/art/collection/search/359673
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Providermetmuseum
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Subject IDmetmuseum:385770
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleLe Temple Antique
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Providercma
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Subject ID1930.543
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: L'Arc de triomphe, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.543
subject_titleLes Soirées de Rome: L'Arc de triomphe
subject_urlhttps://clevelandart.org/art/1930.543
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund and The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, by exchange, 1954
subject_titleLandscape with Diana Resting
subject_urlhttps://www.metmuseum.org/art/collection/search/697361
typeimage
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Providermetmuseum
Depiction IDmetmuseum:399277:primaryImage
Subject IDmetmuseum:399277
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 3: The Statue Before the Ruins: a statue to left next to three figures on a pedestal, a beggar standing in an archway to right, four columns and the remains of an entablature to top left, from "Les soirées de Rome"
subject_urlhttps://www.metmuseum.org/art/collection/search/399277
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Providermetmuseum
Depiction IDmetmuseum:365475:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titleCamera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive"
subject_urlhttps://www.metmuseum.org/art/collection/search/365475
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleClassizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry
subject_urlhttps://www.metmuseum.org/art/collection/search/399621
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Providercma
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Subject ID1929.835
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Rome: The Tomb, called La Connocchia, 1776. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Salmon P. Halle, 1929.835
subject_titleViews of Rome: The Tomb, called La Connocchia
subject_urlhttps://clevelandart.org/art/1929.835
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleL'Arc de Triomphe
subject_urlhttps://www.metmuseum.org/art/collection/search/385774
typeimage