Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
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Depiction ID1930.558_web
Subject ID1930.558
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Providercma
Depiction ID1930.558_web
Subject ID1930.558
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
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Providercma
Depiction ID1930.563_web
Subject ID1930.563
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
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Providercma
Depiction ID1930.560_web
Subject ID1930.560
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.560
subject_titleLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats
subject_urlhttps://clevelandart.org/art/1930.560
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Providercma
Depiction ID1930.559_web
Subject ID1930.559
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
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Providercma
Depiction ID1930.562_web
Subject ID1930.562
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.562
subject_titleLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.562
typeimage
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Providercma
Depiction ID1935.15_web
Subject ID1935.15
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with a Country Dance (Small Plate), c. 1637. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.15
subject_titleLandscape with a Country Dance (Small Plate)
subject_urlhttps://clevelandart.org/art/1935.15
typeimage
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Providercma
Depiction ID1968.116_web
Subject ID1968.116
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1968.116
typeimage
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Providercma
Depiction ID1944.49_web
Subject ID1944.49
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.49
subject_titleSix large upright landscapes with scenes from the Old Testament
subject_urlhttps://clevelandart.org/art/1944.49
typeimage
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Providercma
Depiction ID1921.963_web
Subject ID1921.963
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.963/1921.963_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament: Abraham Dismissing Hagar and Ishmael, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1921.963
subject_titleSix large upright landscapes with scenes from the Old Testament: Abraham Dismissing Hagar and Ishmael
subject_urlhttps://clevelandart.org/art/1921.963
typeimage
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Providercma
Depiction ID1939.588_web
Subject ID1939.588
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with a Country Dance (Small Plate), c. 1637. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.588
subject_titleLandscape with a Country Dance (Small Plate)
subject_urlhttps://clevelandart.org/art/1939.588
typeimage
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Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage
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Providercma
Depiction ID1992.200_web
Subject ID1992.200
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1992.200
subject_titleLiber Veritatis
subject_urlhttps://clevelandart.org/art/1992.200
typeimage
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Providercma
Depiction ID1944.48_web
Subject ID1944.48
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.48
subject_titleSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus
subject_urlhttps://clevelandart.org/art/1944.48
typeimage
Distance0.12818885
Providercma
Depiction ID1943.625.2_web
Subject ID1943.625.2
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Large Tree and the Cascade, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.2
subject_titleThe Flight into Egypt: The Large Tree and the Cascade
subject_urlhttps://clevelandart.org/art/1943.625.2
typeimage
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Providercma
Depiction ID1930.565_web
Subject ID1930.565
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
typeimage
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Providercma
Depiction ID1944.49.1_alt0_web
Subject ID1944.49.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.49.1/1944.49.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament: Abraham Dismissing Hagar and Ishmael, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.49.1
subject_titleSix large upright landscapes with scenes from the Old Testament: Abraham Dismissing Hagar and Ishmael
subject_urlhttps://clevelandart.org/art/1944.49.1
typeimage
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Providercma
Depiction ID1927.68.3_web
Subject ID1927.68.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1927.68.3/1927.68.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Gift of Grover Higgins, 1927.68.3
subject_titleSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus
subject_urlhttps://clevelandart.org/art/1927.68.3
typeimage
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Providercma
Depiction ID1930.561_web
Subject ID1930.561
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.561
subject_titleLiber Veritatis: No. 38, The Repose of the Holy Family along a River
subject_urlhttps://clevelandart.org/art/1930.561
typeimage
Distance0.13140696
Providercma
Depiction ID1930.566_web
Subject ID1930.566
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.566/1930.566_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.566
subject_titleLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing
subject_urlhttps://clevelandart.org/art/1930.566
typeimage
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Providercma
Depiction ID1947.462_web
Subject ID1947.462
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Cowherder, 1636. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.462
subject_titleThe Cowherder
subject_urlhttps://clevelandart.org/art/1947.462
typeimage
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Providercma
Depiction ID1943.552_web
Subject ID1943.552
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.552/1943.552_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Upright Italian Landscapes: Ox-Cart. View between Ancona and Sinigaglia, 1636–52. Jan Both (Dutch, c. 1618–1652), Matham. Etching; sheet: 26.3 x 20.7 cm (10 3/8 x 8 1/8 in.); platemark: 26.2 x 20.5 cm (10 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.552
subject_titleOx-Cart. View between Ancona and Sinigaglia
subject_urlhttps://clevelandart.org/art/1943.552
typeimage