Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
Providercma
Depiction ID1930.559_web
Subject ID1930.559
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Providercma
Depiction ID1930.559_web
Subject ID1930.559
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
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Providercma
Depiction ID1930.560_web
Subject ID1930.560
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.560
subject_titleLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats
subject_urlhttps://clevelandart.org/art/1930.560
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Providercma
Depiction ID1930.563_web
Subject ID1930.563
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
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Providercma
Depiction ID1930.562_web
Subject ID1930.562
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previewhttps://openaccess-cdn.clevelandart.org/1930.562/1930.562_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.562
subject_titleLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.562
typeimage
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Providercma
Depiction ID1992.200_web
Subject ID1992.200
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1992.200
subject_titleLiber Veritatis
subject_urlhttps://clevelandart.org/art/1992.200
typeimage
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Providercma
Depiction ID1930.558_web
Subject ID1930.558
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.558/1930.558_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
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Providercma
Depiction ID1930.566_web
Subject ID1930.566
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.566/1930.566_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.566
subject_titleLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing
subject_urlhttps://clevelandart.org/art/1930.566
typeimage
Distance0.119837046
Providercma
Depiction ID1943.625.2_web
Subject ID1943.625.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.2/1943.625.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Large Tree and the Cascade, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.2
subject_titleThe Flight into Egypt: The Large Tree and the Cascade
subject_urlhttps://clevelandart.org/art/1943.625.2
typeimage
Distance0.12120479
Providermetmuseum
Depiction IDmetmuseum:459949:primaryImage
Subject IDmetmuseum:459949
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleLandscape with Ruined Architecture
subject_urlhttps://www.metmuseum.org/art/collection/search/459949
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Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.3/1943.625.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage
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Providercma
Depiction ID1935.15_web
Subject ID1935.15
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with a Country Dance (Small Plate), c. 1637. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.15
subject_titleLandscape with a Country Dance (Small Plate)
subject_urlhttps://clevelandart.org/art/1935.15
typeimage
Distance0.12623829
Providercma
Depiction ID1992.199_web
Subject ID1992.199
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1992.199/1992.199_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1992.199
subject_titleLiber Veritatis
subject_urlhttps://clevelandart.org/art/1992.199
typeimage
Distance0.12641382
Providercma
Depiction ID1993.252_web
Subject ID1993.252
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.252/1993.252_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWooded Landscape with Herdsman and Cows, c. 1780–1785. Thomas Gainsborough (British, 1727–1788). Etching and aquatint. The Cleveland Museum of Art, John L. Severance Fund, 1993.252
subject_titleWooded Landscape with Herdsman and Cows
subject_urlhttps://clevelandart.org/art/1993.252
typeimage
Distance0.1285907
Providercma
Depiction ID1943.552_web
Subject ID1943.552
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.552/1943.552_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Upright Italian Landscapes: Ox-Cart. View between Ancona and Sinigaglia, 1636–52. Jan Both (Dutch, c. 1618–1652), Matham. Etching; sheet: 26.3 x 20.7 cm (10 3/8 x 8 1/8 in.); platemark: 26.2 x 20.5 cm (10 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.552
subject_titleOx-Cart. View between Ancona and Sinigaglia
subject_urlhttps://clevelandart.org/art/1943.552
typeimage
Distance0.12985957
Providercma
Depiction ID1968.116_web
Subject ID1968.116
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1968.116
typeimage
Distance0.13101774
Providercma
Depiction ID1949.99_web
Subject ID1949.99
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1949.99/1949.99_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Herd Returning in Stormy Weather, 1651. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.99
subject_titleThe Herd Returning in Stormy Weather
subject_urlhttps://clevelandart.org/art/1949.99
typeimage
Distance0.13216668
Providercma
Depiction ID1930.565_web
Subject ID1930.565
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.565/1930.565_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
typeimage
Distance0.1326068
Providercma
Depiction ID1925.32_web
Subject ID1925.32
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.32/1925.32_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Draughtsman, c. 1630–60. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1925.32
subject_titleThe Draughtsman
subject_urlhttps://clevelandart.org/art/1925.32
typeimage
Distance0.13313127
Providercma
Depiction ID1947.462_web
Subject ID1947.462
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1947.462/1947.462_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Cowherder, 1636. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.462
subject_titleThe Cowherder
subject_urlhttps://clevelandart.org/art/1947.462
typeimage
Distance0.13414973
Providercma
Depiction ID1944.49_web
Subject ID1944.49
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.49/1944.49_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.49
subject_titleSix large upright landscapes with scenes from the Old Testament
subject_urlhttps://clevelandart.org/art/1944.49
typeimage
Distance0.13584304
Providercma
Depiction ID1939.635_web
Subject ID1939.635
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1939.635/1939.635_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of a Village with Figures in the Foreground, 1723. Marco Ricci (Italian, 1676–1729). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.635
subject_titleView of a Village with Figures in the Foreground
subject_urlhttps://clevelandart.org/art/1939.635
typeimage