Liber Veritatis: No. 38, The Repose of the Holy Family along a River
Providercma
Depiction ID1930.561_web
Subject ID1930.561
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Providercma
Depiction ID1930.561_web
Subject ID1930.561
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.561
subject_titleLiber Veritatis: No. 38, The Repose of the Holy Family along a River
subject_urlhttps://clevelandart.org/art/1930.561
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Providercma
Depiction ID1930.558_web
Subject ID1930.558
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
typeimage
Distance0.1535607
Providercma
Depiction ID1930.567_web
Subject ID1930.567
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 160, Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.567
subject_titleLiber Veritatis: No. 160, Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.567
typeimage
Distance0.15553099
Providercma
Depiction ID1939.635_web
Subject ID1939.635
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1939.635/1939.635_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of a Village with Figures in the Foreground, 1723. Marco Ricci (Italian, 1676–1729). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.635
subject_titleView of a Village with Figures in the Foreground
subject_urlhttps://clevelandart.org/art/1939.635
typeimage
Distance0.15842801
Providercma
Depiction ID1930.566_web
Subject ID1930.566
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.566
subject_titleLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing
subject_urlhttps://clevelandart.org/art/1930.566
typeimage
Distance0.1598602
Providercma
Depiction ID1930.559_web
Subject ID1930.559
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.559/1930.559_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
typeimage
Distance0.16520566
Providercma
Depiction ID1930.563_web
Subject ID1930.563
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
typeimage
Distance0.16547722
Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.3/1943.625.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage
Distance0.1666463
Providercma
Depiction ID1930.562_web
Subject ID1930.562
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.562/1930.562_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.562
subject_titleLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.562
typeimage
Distance0.16840392
Providercma
Depiction ID1930.565_web
Subject ID1930.565
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.565/1930.565_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
typeimage
Distance0.16993326
Providercma
Depiction ID1983.160_web
Subject ID1983.160
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.160/1983.160_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gentle Shepherd: Patie and Roger, 1758. Paul Sandby (British, 1731–1809). Etching. The Cleveland Museum of Art, Gift of Mrs. Sibley W. Hoobler in honor of Dr. Sherman E. Lee, 1983.160
subject_titlePatie and Roger
subject_urlhttps://clevelandart.org/art/1983.160
typeimage
Distance0.17137903
Providercma
Depiction ID1926.318_web
Subject ID1926.318
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineApollo and the Sibyl, 1779. John Browne (British, 1741–1801). Engraving. The Cleveland Museum of Art, Gift of Mrs. E. A. Boynton, in memory of Judge W. W. Boynton, 1926.318
subject_titleApollo and the Sibyl
subject_urlhttps://clevelandart.org/art/1926.318
typeimage
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Providercma
Depiction ID1943.629_web
Subject ID1943.629
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Penitents: The Temptation of St. Anthony, 1620–55. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.629
subject_titleThe Penitents: The Temptation of St. Anthony
subject_urlhttps://clevelandart.org/art/1943.629
typeimage
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Providercma
Depiction ID1987.92_web
Subject ID1987.92
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1987.92/1987.92_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching and engraving. The Cleveland Museum of Art, Gift of Louise S. Richards in appreciation of The Print Club of Cleveland, 1987.92
subject_titleThe Flight into Egypt
subject_urlhttps://clevelandart.org/art/1987.92
typeimage
Distance0.17704636
Providercma
Depiction ID1919.124_web
Subject ID1919.124
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1919.124/1919.124_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Studiorum: The Woman and the Tambourine. Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint. The Cleveland Museum of Art, Gift of Miss Katherine Bullard in memory of Francis Bullard, 1919.124
subject_titleLiber Studiorum: The Woman and the Tambourine
subject_urlhttps://clevelandart.org/art/1919.124
typeimage
Distance0.17710316
Providermetmuseum
Depiction IDmetmuseum:816237:primaryImage
Subject IDmetmuseum:816237
Attributes
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previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP885604.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer Bequest, 1917
subject_titleLandscape with a man holding a snake to a terrified child, watched by a fashionably dressed couple on the riverbank at right
subject_urlhttps://www.metmuseum.org/art/collection/search/816237
typeimage
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Providercma
Depiction ID1968.253.c_web
Subject ID1968.253.c
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReceuil d'essais lithographiques: Dragon fumant couche au pied d'un arbre, 1822. Antoine Pierre Mongin (French, 1761–1827). Lithograph; overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1968.253.c
subject_titleReceuil d'essais lithographiques: Dragon fumant couche au pied d'un arbre
subject_urlhttps://clevelandart.org/art/1968.253.c
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Providermetmuseum
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Subject IDmetmuseum:395612
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1947
subject_titlePeasants Resting
subject_urlhttps://www.metmuseum.org/art/collection/search/395612
typeimage
Distance0.1803419
Providercma
Depiction ID1987.92.2_web
Subject ID1987.92.2
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Large Tree and the Cascade, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching and engraving. The Cleveland Museum of Art, Gift of Louise S. Richards in appreciation of The Print Club of Cleveland, 1987.92.2
subject_titleThe Large Tree and the Cascade
subject_urlhttps://clevelandart.org/art/1987.92.2
typeimage
Distance0.18139434
Providermetmuseum
Depiction IDmetmuseum:816221:primaryImage
Subject IDmetmuseum:816221
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP885630.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP885630.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleA house atop a round rock at center, people in the river and in canoes throughout
subject_urlhttps://www.metmuseum.org/art/collection/search/816221
typeimage
Distance0.18156135
Providercma
Depiction ID1987.92.1_web
Subject ID1987.92.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1987.92.1/1987.92.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Little Angels on the Hill, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching and engraving. The Cleveland Museum of Art, Gift of Louise S. Richards in appreciation of The Print Club of Cleveland, 1987.92.1
subject_titleThe Little Angels on the Hill
subject_urlhttps://clevelandart.org/art/1987.92.1
typeimage