Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
Providercma
Depiction ID1930.563_web
Subject ID1930.563
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Providercma
Depiction ID1930.563_web
Subject ID1930.563
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Created2026-10-07
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Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
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Providercma
Depiction ID1930.558_web
Subject ID1930.558
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
typeimage
Distance0.09350276
Providercma
Depiction ID1930.560_web
Subject ID1930.560
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.560
subject_titleLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats
subject_urlhttps://clevelandart.org/art/1930.560
typeimage
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Providercma
Depiction ID1930.559_web
Subject ID1930.559
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
typeimage
Distance0.111362875
Providercma
Depiction ID1930.562_web
Subject ID1930.562
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.562/1930.562_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.562
subject_titleLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.562
typeimage
Distance0.11535615
Providercma
Depiction ID1947.462_web
Subject ID1947.462
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Cowherder, 1636. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.462
subject_titleThe Cowherder
subject_urlhttps://clevelandart.org/art/1947.462
typeimage
Distance0.11572158
Providercma
Depiction ID1992.200_web
Subject ID1992.200
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1992.200/1992.200_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1992.200
subject_titleLiber Veritatis
subject_urlhttps://clevelandart.org/art/1992.200
typeimage
Distance0.12807155
Providercma
Depiction ID1992.199_web
Subject ID1992.199
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1992.199/1992.199_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1992.199
subject_titleLiber Veritatis
subject_urlhttps://clevelandart.org/art/1992.199
typeimage
Distance0.1288364
Providercma
Depiction ID1993.252_web
Subject ID1993.252
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.252/1993.252_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWooded Landscape with Herdsman and Cows, c. 1780–1785. Thomas Gainsborough (British, 1727–1788). Etching and aquatint. The Cleveland Museum of Art, John L. Severance Fund, 1993.252
subject_titleWooded Landscape with Herdsman and Cows
subject_urlhttps://clevelandart.org/art/1993.252
typeimage
Distance0.12930012
Providercma
Depiction ID1949.99_web
Subject ID1949.99
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Herd Returning in Stormy Weather, 1651. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.99
subject_titleThe Herd Returning in Stormy Weather
subject_urlhttps://clevelandart.org/art/1949.99
typeimage
Distance0.12958574
Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage
Distance0.1299274
Providercma
Depiction ID1968.116_web
Subject ID1968.116
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1968.116
typeimage
Distance0.13195032
Providercma
Depiction ID1974.8_web
Subject ID1974.8
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Shepherd, 1644. Paulus Potter (Dutch, 1625–1654). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Lewis C. Williams for the Lewis B. Williams Collection, 1974.8
subject_titleThe Shepherd
subject_urlhttps://clevelandart.org/art/1974.8
typeimage
Distance0.13228226
Providercma
Depiction ID1930.565_web
Subject ID1930.565
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
typeimage
Distance0.13236034
Providercma
Depiction ID1935.15_web
Subject ID1935.15
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with a Country Dance (Small Plate), c. 1637. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.15
subject_titleLandscape with a Country Dance (Small Plate)
subject_urlhttps://clevelandart.org/art/1935.15
typeimage
Distance0.13401711
Providercma
Depiction ID1930.567_web
Subject ID1930.567
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.567/1930.567_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 160, Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.567
subject_titleLiber Veritatis: No. 160, Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.567
typeimage
Distance0.1349085
Providercma
Depiction ID1944.48_web
Subject ID1944.48
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.48/1944.48_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.48
subject_titleSix large upright landscapes with scenes from Ovid's Metamorphoses: Mercury and Argus
subject_urlhttps://clevelandart.org/art/1944.48
typeimage
Distance0.13613111
Providercma
Depiction ID1943.609_web
Subject ID1943.609
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.609/1943.609_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Shepherd, 1644. Paulus Potter (Dutch, 1625–1654). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.609
subject_titleThe Shepherd
subject_urlhttps://clevelandart.org/art/1943.609
typeimage
Distance0.13723522
Providercma
Depiction ID1943.610.3_web
Subject ID1943.610.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.610.3/1943.610.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix views in the Wood of the Hague: Plate 2, 1640–52. Roelant Roghman (Dutch, 1627–1692). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.610.3
subject_titleSix views in the Wood of the Hague: Plate 2
subject_urlhttps://clevelandart.org/art/1943.610.3
typeimage
Distance0.13757187
Providercma
Depiction ID1943.552_web
Subject ID1943.552
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.552/1943.552_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Upright Italian Landscapes: Ox-Cart. View between Ancona and Sinigaglia, 1636–52. Jan Both (Dutch, c. 1618–1652), Matham. Etching; sheet: 26.3 x 20.7 cm (10 3/8 x 8 1/8 in.); platemark: 26.2 x 20.5 cm (10 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.552
subject_titleOx-Cart. View between Ancona and Sinigaglia
subject_urlhttps://clevelandart.org/art/1943.552
typeimage
Distance0.13868147
Providercma
Depiction ID1991.247_web
Subject ID1991.247
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1991.247/1991.247_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Shepherd Playing a Flute, 1638. Schelte Adamsz. Bolswert (Flemish, about 1586–1659), after Peter Paul Rubens (Flemish, 1577–1640), Gillis Hendricx (undetermined, 1570-1700). Engraving; platemark: 32 x 46.2 cm (12 5/8 x 18 3/16 in.); sheet: 37.3 x 54.7 cm (14 11/16 x 21 9/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 1991.247
subject_titleLandscape with Shepherd Playing a Flute
subject_urlhttps://clevelandart.org/art/1991.247
typeimage