Liber Veritatis: No. 50, A River Scene with Tobias and the Angel
Providercma
Depiction ID1930.565_web
Subject ID1930.565
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Providercma
Depiction ID1930.565_web
Subject ID1930.565
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
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Providercma
Depiction ID1930.566_web
Subject ID1930.566
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.566
subject_titleLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing
subject_urlhttps://clevelandart.org/art/1930.566
typeimage
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Providercma
Depiction ID1930.564_web
Subject ID1930.564
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.564
subject_titleLiber Veritatis: No. 47, A River Scene with the Finding of Moses
subject_urlhttps://clevelandart.org/art/1930.564
typeimage
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Providercma
Depiction ID1944.49.2_web
Subject ID1944.49.2
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previewhttps://openaccess-cdn.clevelandart.org/1944.49.2/1944.49.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament: Hagar Comforted by the Angel, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.49.2
subject_titleSix large upright landscapes with scenes from the Old Testament: Hagar Comforted by the Angel
subject_urlhttps://clevelandart.org/art/1944.49.2
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Providercma
Depiction ID1968.116_web
Subject ID1968.116
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1968.116
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Providercma
Depiction ID1921.961_web
Subject ID1921.961
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament: Hagar comforted by the Angel, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1921.961
subject_titleSix large upright landscapes with scenes from the Old Testament: Hagar comforted by the Angel
subject_urlhttps://clevelandart.org/art/1921.961
typeimage
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Providercma
Depiction ID1930.558_web
Subject ID1930.558
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
typeimage
Distance0.13078934
Providercma
Depiction ID1943.625.4_web
Subject ID1943.625.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.4/1943.625.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Cave, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.4
subject_titleThe Flight into Egypt: The Cave
subject_urlhttps://clevelandart.org/art/1943.625.4
typeimage
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Providercma
Depiction ID1944.49_web
Subject ID1944.49
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.49/1944.49_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSix large upright landscapes with scenes from the Old Testament, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.49
subject_titleSix large upright landscapes with scenes from the Old Testament
subject_urlhttps://clevelandart.org/art/1944.49
typeimage
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Providercma
Depiction ID1930.563_web
Subject ID1930.563
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
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Providercma
Depiction ID1930.559_web
Subject ID1930.559
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
typeimage
Distance0.13347507
Providermetmuseum
Depiction IDmetmuseum:385254:primaryImage
Subject IDmetmuseum:385254
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP804151.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP804151.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2009
subject_titleGrape Harvest at the Gulf of Naples
subject_urlhttps://www.metmuseum.org/art/collection/search/385254
typeimage
Distance0.13378131
Providercma
Depiction ID1919.124_web
Subject ID1919.124
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1919.124/1919.124_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Studiorum: The Woman and the Tambourine. Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint. The Cleveland Museum of Art, Gift of Miss Katherine Bullard in memory of Francis Bullard, 1919.124
subject_titleLiber Studiorum: The Woman and the Tambourine
subject_urlhttps://clevelandart.org/art/1919.124
typeimage
Distance0.13382679
Providermetmuseum
Depiction IDmetmuseum:364143:primaryImage
Subject IDmetmuseum:364143
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP-42739-001.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP-42739-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Phyllis D. Massar Gift, 2003
subject_titleMountain landscape with men on horseback and a seated man with a dog
subject_urlhttps://www.metmuseum.org/art/collection/search/364143
typeimage
Distance0.13404107
Providermetmuseum
Depiction IDmetmuseum:417845:primaryImage
Subject IDmetmuseum:417845
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP837493.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP837493.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA landscape with travellers at the left
subject_urlhttps://www.metmuseum.org/art/collection/search/417845
typeimage
Distance0.13447773
Providercma
Depiction ID1943.629_web
Subject ID1943.629
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.629/1943.629_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Penitents: The Temptation of St. Anthony, 1620–55. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.629
subject_titleThe Penitents: The Temptation of St. Anthony
subject_urlhttps://clevelandart.org/art/1943.629
typeimage
Distance0.1348396
Providercma
Depiction ID1926.318_web
Subject ID1926.318
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previewhttps://openaccess-cdn.clevelandart.org/1926.318/1926.318_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineApollo and the Sibyl, 1779. John Browne (British, 1741–1801). Engraving. The Cleveland Museum of Art, Gift of Mrs. E. A. Boynton, in memory of Judge W. W. Boynton, 1926.318
subject_titleApollo and the Sibyl
subject_urlhttps://clevelandart.org/art/1926.318
typeimage
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Providermetmuseum
Depiction IDmetmuseum:370191:primaryImage
Subject IDmetmuseum:370191
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Kenneth Grebinar, 2005
subject_titleLandscape With Two Goatherds
subject_urlhttps://www.metmuseum.org/art/collection/search/370191
typeimage
Distance0.13511527
Providermetmuseum
Depiction IDmetmuseum:395363:primaryImage
Subject IDmetmuseum:395363
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP874565.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP874565.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Algernon S. Sullivan, 1919
subject_titleGoatherd, from "Ten Landscapes" (Suite de Dix Paysages)
subject_urlhttps://www.metmuseum.org/art/collection/search/395363
typeimage
Distance0.1353426
Providercma
Depiction ID1930.560_web
Subject ID1930.560
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.560/1930.560_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.560
subject_titleLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats
subject_urlhttps://clevelandart.org/art/1930.560
typeimage
Distance0.13611686
Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.3/1943.625.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage