Liber Veritatis: No. 160, Tobias and the Angel
Providercma
Depiction ID1930.567_web
Subject ID1930.567
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1930.567_web
Subject ID1930.567
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 160, Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.567
subject_titleLiber Veritatis: No. 160, Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.567
typeimage
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Providercma
Depiction ID1930.562_web
Subject ID1930.562
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.562/1930.562_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.562
subject_titleLiber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.562
typeimage
Distance0.13418347
Providercma
Depiction ID1930.563_web
Subject ID1930.563
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.563/1930.563_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.563
subject_titleLiber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle
subject_urlhttps://clevelandart.org/art/1930.563
typeimage
Distance0.1344291
Providercma
Depiction ID1930.566_web
Subject ID1930.566
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.566/1930.566_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.566
subject_titleLiber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing
subject_urlhttps://clevelandart.org/art/1930.566
typeimage
Distance0.13868052
Providercma
Depiction ID1935.16_web
Subject ID1935.16
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1935.16/1935.16_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Wooden Bridge, 1638–41. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.16
subject_titleThe Wooden Bridge
subject_urlhttps://clevelandart.org/art/1935.16
typeimage
Distance0.14281821
Providercma
Depiction ID1930.559_web
Subject ID1930.559
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.559/1930.559_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.559
subject_titleLiber Veritatis: No. 34, Peasants with Cattle attacked by Bandits
subject_urlhttps://clevelandart.org/art/1930.559
typeimage
Distance0.14393818
Providercma
Depiction ID1943.625.3_web
Subject ID1943.625.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.625.3/1943.625.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Flight into Egypt: The Donkey Led to the River, c. 1652–54. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.625.3
subject_titleThe Flight into Egypt: The Donkey Led to the River
subject_urlhttps://clevelandart.org/art/1943.625.3
typeimage
Distance0.14627248
Providercma
Depiction ID1930.565_web
Subject ID1930.565
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.565/1930.565_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.565
subject_titleLiber Veritatis: No. 50, A River Scene with Tobias and the Angel
subject_urlhttps://clevelandart.org/art/1930.565
typeimage
Distance0.14828712
Providercma
Depiction ID1919.680_web
Subject ID1919.680
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1919.680/1919.680_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, 1763. William Woollett (British, 1735–1785). Engraving. The Cleveland Museum of Art, Gift of George A. Goddard, 1919.680
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1919.680
typeimage
Distance0.14861631
Providercma
Depiction ID1919.124_web
Subject ID1919.124
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1919.124/1919.124_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Studiorum: The Woman and the Tambourine. Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint. The Cleveland Museum of Art, Gift of Miss Katherine Bullard in memory of Francis Bullard, 1919.124
subject_titleLiber Studiorum: The Woman and the Tambourine
subject_urlhttps://clevelandart.org/art/1919.124
typeimage
Distance0.1502046
Providercma
Depiction ID1968.116_web
Subject ID1968.116
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.116/1968.116_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/1968.116
typeimage
Distance0.15120059
Providercma
Depiction ID1928.644_web
Subject ID1928.644
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1928.644/1928.644_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Studiorum: A Study, 1838. John Sell Cotman (British, 1782–1842). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1928.644
subject_titleLiber Studiorum: A Study
subject_urlhttps://clevelandart.org/art/1928.644
typeimage
Distance0.15122366
Providermetmuseum
Depiction IDmetmuseum:816237:primaryImage
Subject IDmetmuseum:816237
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP885604.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP885604.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer Bequest, 1917
subject_titleLandscape with a man holding a snake to a terrified child, watched by a fashionably dressed couple on the riverbank at right
subject_urlhttps://www.metmuseum.org/art/collection/search/816237
typeimage
Distance0.15330732
Providercma
Depiction ID1930.561_web
Subject ID1930.561
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.561/1930.561_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.561
subject_titleLiber Veritatis: No. 38, The Repose of the Holy Family along a River
subject_urlhttps://clevelandart.org/art/1930.561
typeimage
Distance0.15449649
Providercma
Depiction ID1930.560_web
Subject ID1930.560
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.560/1930.560_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.560
subject_titleLiber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats
subject_urlhttps://clevelandart.org/art/1930.560
typeimage
Distance0.15607947
Providermetmuseum
Depiction IDmetmuseum:416986:primaryImage
Subject IDmetmuseum:416986
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP888371.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP888371.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLa Promenade sur L'Eau (The Walk by the Water), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
subject_urlhttps://www.metmuseum.org/art/collection/search/416986
typeimage
Distance0.15610254
Providercma
Depiction ID1943.593.3_web
Subject ID1943.593.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.593.3/1943.593.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe River near the Woods, 1640–51. Herman Naiwincx (Flemish, c. 1624–after 1651), Clement de Jonghe (Dutch, 1579–1679). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.593.3
subject_titleThe River near the Woods
subject_urlhttps://clevelandart.org/art/1943.593.3
typeimage
Distance0.15633112
Providercma
Depiction ID1926.318_web
Subject ID1926.318
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1926.318/1926.318_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineApollo and the Sibyl, 1779. John Browne (British, 1741–1801). Engraving. The Cleveland Museum of Art, Gift of Mrs. E. A. Boynton, in memory of Judge W. W. Boynton, 1926.318
subject_titleApollo and the Sibyl
subject_urlhttps://clevelandart.org/art/1926.318
typeimage
Distance0.15654564
Providercma
Depiction ID1930.558_web
Subject ID1930.558
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.558/1930.558_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.558
subject_titleLiber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
subject_urlhttps://clevelandart.org/art/1930.558
typeimage
Distance0.15804529
Providercma
Depiction ID1943.582_web
Subject ID1943.582
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.582/1943.582_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Bent Tree. Jan Hackaert (Dutch, 1629–c. 1700). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.582
subject_titleThe Bent Tree
subject_urlhttps://clevelandart.org/art/1943.582
typeimage
Distance0.1592474
Providermetmuseum
Depiction IDmetmuseum:382909:primaryImage
Subject IDmetmuseum:382909
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP821306.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP821306.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleThe Woman and Tambourine, part I, plate 3 from "Liber Studiorum"
subject_urlhttps://www.metmuseum.org/art/collection/search/382909
typeimage