Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])
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subject_titlePage of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])
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subject_creditlinePage of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595. India, Mughal school, 16th century. Gum tempera, ink, and gold on paper; overall: 41 x 22.6 cm (16 1/8 x 8 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.36.a
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subject_creditlinePage of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595. India, Mughal, 16th century, made for Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 41 x 22.6 cm (16 1/8 x 8 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.36
subject_titlePage of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])
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subject_creditlinePurchase, Friends of Islamic Art Gifts, 2021
subject_title"Caliph Al-Wathiq Killing the Rebel Ahmad Ibn Nasr", Folio from the Tarikh-i ‘Alfi
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subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
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subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
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subject_creditlinePage of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595. India, Mughal, 16th century, made for Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 41 x 22.6 cm (16 1/8 x 8 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.36
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provider_nameCleveland Museum of Art
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subject_creditlinePage of disasters, from the Tarikh-i Alfi (History of a Thousand Years), c. 1595. India, Mughal school, 16th century. Gum tempera, ink, and gold on paper; overall: 41 x 22.6 cm (16 1/8 x 8 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.36.b
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subject_creditlineThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); painting only: 13 x 10.1 cm (5 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.73.a
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subject_creditlineVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44
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subject_creditlineThe monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basawan​ (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 10.6 cm (4 1/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.33.b
subject_titleThe monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
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subject_titleThe monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
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subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
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