War Series: The Last Victim
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Depiction ID1936.558_web
Subject ID1936.558
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Providercma
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Subject ID1936.558
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWar Series: The Last Victim, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.558
subject_titleWar Series: The Last Victim
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/397503
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineWar Series: The Germans Arrive, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.546
subject_titleWar Series: The Germans Arrive
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMurder of Edith Cavell, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.204
subject_titleMurder of Edith Cavell
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineWar Series: The Return of the Useless, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1937.477
subject_titleWar Series: The Return of the Useless
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Ravages of War, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.546
subject_titleThe Horrors of War: Ravages of War
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCruel Folly, from "The Disparates" (Follies / Irrationalities)
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Providercma
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subject_creditlineDance in a Madhouse, 1917. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.605
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1931
subject_title'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
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subject_creditlineA. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1988
subject_titleThe Sculptors
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subject_creditlineThe Disasters of War: And There's No Help for it, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint and burin. The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.56
subject_titleThe Disasters of War: And There's No Help for it
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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