St. Valentine's - The Old Story in All Lands
Providercma
Depiction ID1942.1284_web
Subject ID1942.1284
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1942.1284_web
Subject ID1942.1284
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1284/1942.1284_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSt. Valentine's - The Old Story in All Lands, 1868. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1284
subject_titleSt. Valentine's - The Old Story in All Lands
subject_urlhttps://clevelandart.org/art/1942.1284
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.11537814
Providermetmuseum
Depiction IDmetmuseum:392145:primaryImage
Subject IDmetmuseum:392145
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875295.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875295.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleSt. Valentine's Day – The Old Story in All Lands (from "Harper's Weekly," Vol. XII)
subject_urlhttps://www.metmuseum.org/art/collection/search/392145
typeimage
Distance0.22227073
Providercma
Depiction ID1924.378_web
Subject ID1924.378
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.378/1924.378_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCoelebs in Search of a Mulready Envelope, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.378
subject_titleCoelebs in Search of a Mulready Envelope
subject_urlhttps://clevelandart.org/art/1924.378
typeimage
Distance0.22622526
Providercma
Depiction ID1924.376_web
Subject ID1924.376
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.376/1924.376_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Little Hop in Harley Street, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.376
subject_titleA Little Hop in Harley Street
subject_urlhttps://clevelandart.org/art/1924.376
typeimage
Distance0.23588288
Providercma
Depiction ID1935.263_web
Subject ID1935.263
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1935.263/1935.263_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFour Friends, second state, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.263
subject_titleFour Friends, second state
subject_urlhttps://clevelandart.org/art/1935.263
typeimage
Distance0.24107516
Providercma
Depiction ID1942.1415_web
Subject ID1942.1415
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1415/1942.1415_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Coolest Spot in New England - Summit of Mount Washington, 1870. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1415
subject_titleThe Coolest Spot in New England - Summit of Mount Washington
subject_urlhttps://clevelandart.org/art/1942.1415
typeimage
Distance0.24505979
Providercma
Depiction ID1924.365_web
Subject ID1924.365
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.365/1924.365_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRefreshment - At the Great Exhibition, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.365
subject_titleRefreshment - At the Great Exhibition
subject_urlhttps://clevelandart.org/art/1924.365
typeimage
Distance0.2452901
Providercma
Depiction ID1924.373_web
Subject ID1924.373
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.373/1924.373_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Song of the Disconsolate One, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.373
subject_titleThe Song of the Disconsolate One
subject_urlhttps://clevelandart.org/art/1924.373
typeimage
Distance0.2494176
Providercma
Depiction ID1924.392_web
Subject ID1924.392
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.25023454
Providercma
Depiction ID1921.1499_web
Subject ID1921.1499
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.1499/1921.1499_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Theatre: The Last Scene, 1862, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 22.5 x 16 cm (8 7/8 x 6 5/16 in.); sheet: 45.2 x 32.4 cm (17 13/16 x 12 3/4 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1499
subject_titleThe Theatre: The Last Scene
subject_urlhttps://clevelandart.org/art/1921.1499
typeimage
Distance0.2519375
Providercma
Depiction ID1942.1318_web
Subject ID1942.1318
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1318/1942.1318_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Chinese in New York - Scene in a Baxter Street Club-House, 1874. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1318
subject_titleThe Chinese in New York - Scene in a Baxter Street Club-House
subject_urlhttps://clevelandart.org/art/1942.1318
typeimage
Distance0.25367934
Providercma
Depiction ID1942.1407_web
Subject ID1942.1407
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1407/1942.1407_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWeary and Dissatisfied with Everything, 1869. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1407
subject_titleWeary and Dissatisfied with Everything
subject_urlhttps://clevelandart.org/art/1942.1407
typeimage
Distance0.2543214
Providercma
Depiction ID1921.1298_web
Subject ID1921.1298
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.1298/1921.1298_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline14 Juillet, Rue de Belleville, 10 heures, 1889. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1298
subject_title14 Juillet, Rue de Belleville, 10 heures
subject_urlhttps://clevelandart.org/art/1921.1298
typeimage
Distance0.25562924
Providercma
Depiction ID1936.630_web
Subject ID1936.630
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1936.630/1936.630_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBusiness Men's Class, 1916. George Bellows (American, 1882–1925). Lithograph; sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.630
subject_titleBusiness Men's Class
subject_urlhttps://clevelandart.org/art/1936.630
typeimage
Distance0.25580406
Providercma
Depiction ID1942.1403_web
Subject ID1942.1403
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1403/1942.1403_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline"Come!", 1869. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1403
subject_title"Come!"
subject_urlhttps://clevelandart.org/art/1942.1403
typeimage
Distance0.25602126
Providercma
Depiction ID1924.403_web
Subject ID1924.403
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.403/1924.403_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhat We Did at the Seaside - Nothing, 1862. England, 19th century. Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.403
subject_titleWhat We Did at the Seaside - Nothing
subject_urlhttps://clevelandart.org/art/1924.403
typeimage
Distance0.25895822
Providercma
Depiction ID1925.1009_web
Subject ID1925.1009
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1009/1925.1009_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Bohemians of Paris: The Collector of Cigar Stubs, 1841. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23.9 x 19.3 cm (9 7/16 x 7 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1009
subject_titleThe Collector of Cigar Stubs
subject_urlhttps://clevelandart.org/art/1925.1009
typeimage
Distance0.2628631
Providermetmuseum
Depiction IDmetmuseum:390341:primaryImage
Subject IDmetmuseum:390341
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP886499.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP886499.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Herbert Mitchell, 2008
subject_titleCollage of printed elements centered on Women, Children, Family and Rural Life
subject_urlhttps://www.metmuseum.org/art/collection/search/390341
typeimage
Distance0.26319486
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.2641948
Providercma
Depiction ID1942.930_web
Subject ID1942.930
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.930/1942.930_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Actrices: Bonjour mon Colonel!, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.930
subject_titleLes Actrices: Bonjour mon Colonel!
subject_urlhttps://clevelandart.org/art/1942.930
typeimage
Distance0.26428372
Providercma
Depiction ID1924.384_web
Subject ID1924.384
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.384/1924.384_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Brilliant Failure, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.384
subject_titleOur Brilliant Failure
subject_urlhttps://clevelandart.org/art/1924.384
typeimage