On the Beach at Long Branch
Providercma
Depiction ID1942.1416_web
Subject ID1942.1416
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1942.1416_web
Subject ID1942.1416
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1416/1942.1416_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOn the Beach at Long Branch, 1870. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1416
subject_titleOn the Beach at Long Branch
subject_urlhttps://clevelandart.org/art/1942.1416
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.18997157
Providercma
Depiction ID1942.1302_web
Subject ID1942.1302
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1302/1942.1302_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOn the Beach - Two are Company, Three are None, 1872. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1302
subject_titleOn the Beach - Two are Company, Three are None
subject_urlhttps://clevelandart.org/art/1942.1302
typeimage
Distance0.19540936
Providercma
Depiction ID1942.1278_web
Subject ID1942.1278
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1278/1942.1278_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Watering Places - The Empty Sleeve at Newport, 1865. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1278
subject_titleOur Watering Places - The Empty Sleeve at Newport
subject_urlhttps://clevelandart.org/art/1942.1278
typeimage
Distance0.21593517
Providercma
Depiction ID1924.416_web
Subject ID1924.416
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.416/1924.416_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLady Nelly - the Flirt, 1865. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.416
subject_titleLady Nelly - the Flirt
subject_urlhttps://clevelandart.org/art/1924.416
typeimage
Distance0.21670091
Providermetmuseum
Depiction IDmetmuseum:349259:primaryImage
Subject IDmetmuseum:349259
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875218.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875218.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1936
subject_titleOur Watering Places – The Empty Sleeve at Newport (from "Harper's Weekly," Vol. IX)
subject_urlhttps://www.metmuseum.org/art/collection/search/349259
typeimage
Distance0.21789366
Providercma
Depiction ID1924.384_web
Subject ID1924.384
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.384/1924.384_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Brilliant Failure, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.384
subject_titleOur Brilliant Failure
subject_urlhttps://clevelandart.org/art/1924.384
typeimage
Distance0.21922499
Providercma
Depiction ID1942.1322_web
Subject ID1942.1322
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1322/1942.1322_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOn the Beach at Long Branch - The Children's Hour, 1874. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1322
subject_titleOn the Beach at Long Branch - The Children's Hour
subject_urlhttps://clevelandart.org/art/1942.1322
typeimage
Distance0.22310013
Providercma
Depiction ID1941.134_web
Subject ID1941.134
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.134/1941.134_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Major's Daughter: Clara Vinrace's Farewell to her Father, 1862. James McNeill Whistler (American, 1834–1903), Joseph Swain (British, 1820–1909). Wood engraving. The Cleveland Museum of Art, Gift of Henry Sayles Francis, 1941.134
subject_titleThe Major's Daughter: Clara Vinrace's Farewell to her Father
subject_urlhttps://clevelandart.org/art/1941.134
typeimage
Distance0.22733891
Providercma
Depiction ID1924.397_web
Subject ID1924.397
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.397/1924.397_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLife in London, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.397
subject_titleLife in London
subject_urlhttps://clevelandart.org/art/1924.397
typeimage
Distance0.2290945
Providermetmuseum
Depiction IDmetmuseum:348610:primaryImage
Subject IDmetmuseum:348610
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875257.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875257.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleOn the Beach – Two are Company, Three are None, from "Harper's Weekly," Vol. XVI
subject_urlhttps://www.metmuseum.org/art/collection/search/348610
typeimage
Distance0.23048162
Providercma
Depiction ID1943.519_web
Subject ID1943.519
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.519/1943.519_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Les Inconvénients des voitures publique: Le cocher de..., 1839. Clémente Pruche (French, 1831–1870). Lithograph; image: 6.5 x 21.9 cm (2 9/16 x 8 5/8 in.); secondary support: 7 x 22.5 cm (2 3/4 x 8 7/8 in.). The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.519
subject_titleActualités: Les Inconvénients des voitures publique: Le cocher de...
subject_urlhttps://clevelandart.org/art/1943.519
typeimage
Distance0.2382462
Providercma
Depiction ID1924.380_web
Subject ID1924.380
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.380/1924.380_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTry for a Tutorship - A Critical Moment, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.380
subject_titleTry for a Tutorship - A Critical Moment
subject_urlhttps://clevelandart.org/art/1924.380
typeimage
Distance0.2391088
Providermetmuseum
Depiction IDmetmuseum:348610:primaryImage
Subject IDmetmuseum:348610
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875257.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875257.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleOn the Beach – Two are Company, Three are None, from "Harper's Weekly," Vol. XVI
subject_urlhttps://www.metmuseum.org/art/collection/search/348610
typeimage
Distance0.24173176
Providermetmuseum
Depiction IDmetmuseum:392236:primaryImage
Subject IDmetmuseum:392236
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875251.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875251.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleThe Straw Ride (from "Harper's Bazar," Vol. II)
subject_urlhttps://www.metmuseum.org/art/collection/search/392236
typeimage
Distance0.24462277
Providercma
Depiction ID1942.1313_web
Subject ID1942.1313
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1313/1942.1313_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline"Dad's Coming!", 1873. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1313
subject_title"Dad's Coming!"
subject_urlhttps://clevelandart.org/art/1942.1313
typeimage
Distance0.24612838
Providercma
Depiction ID1942.1333_web
Subject ID1942.1333
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1333/1942.1333_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Picnic Excursion, 1869. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1333
subject_titleThe Picnic Excursion
subject_urlhttps://clevelandart.org/art/1942.1333
typeimage
Distance0.24966621
Providercma
Depiction ID1942.1300_web
Subject ID1942.1300
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1300/1942.1300_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOn the Bluff at Long Branch, at the Bathing Hour, 1870. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1300
subject_titleOn the Bluff at Long Branch, at the Bathing Hour
subject_urlhttps://clevelandart.org/art/1942.1300
typeimage
Distance0.2512502
Providercma
Depiction ID1924.382_web
Subject ID1924.382
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.382/1924.382_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhy the Pifflers Lost their Return Match, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.382
subject_titleWhy the Pifflers Lost their Return Match
subject_urlhttps://clevelandart.org/art/1924.382
typeimage
Distance0.25128615
Providercma
Depiction ID1942.1279_web
Subject ID1942.1279
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1279/1942.1279_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Watering Places - Horse Racing at Saratoga, 1865. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1279
subject_titleOur Watering Places - Horse Racing at Saratoga
subject_urlhttps://clevelandart.org/art/1942.1279
typeimage
Distance0.25187552
Providercma
Depiction ID1942.1415_web
Subject ID1942.1415
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1415/1942.1415_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Coolest Spot in New England - Summit of Mount Washington, 1870. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1415
subject_titleThe Coolest Spot in New England - Summit of Mount Washington
subject_urlhttps://clevelandart.org/art/1942.1415
typeimage
Distance0.25206995
Providercma
Depiction ID1924.390_web
Subject ID1924.390
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.390/1924.390_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Other Mrs. Johnson, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.390
subject_titleThe Other Mrs. Johnson
subject_urlhttps://clevelandart.org/art/1924.390
typeimage