Book of Hours (Use of Metz): Fol. 26v, Virgin and Child
Providercma
Depiction ID1942.1514.26.b_web
Subject ID1942.1514.26.b
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Providercma
Depiction ID1942.1514.26.b_web
Subject ID1942.1514.26.b
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.26.b/1942.1514.26.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b
subject_titleBook of Hours (Use of Metz): Fol. 26v, Virgin and Child
subject_urlhttps://clevelandart.org/art/1942.1514.26.b
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
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Providercma
Depiction ID1942.1514.27.a_alt0_web
Subject ID1942.1514.27.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 27r, Decorated Initials, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.27.a
subject_titleBook of Hours (Use of Metz): Fol. 27r, Decorated Initials
subject_urlhttps://clevelandart.org/art/1942.1514.27.a
typeimage
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Providercma
Depiction ID1942.1514.26.b_alt0_web
Subject ID1942.1514.26.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.26.b/1942.1514.26.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b
subject_titleBook of Hours (Use of Metz): Fol. 26v, Virgin and Child
subject_urlhttps://clevelandart.org/art/1942.1514.26.b
typeimage
Distance0.063296914
Providercma
Depiction ID1924.1012_web
Subject ID1924.1012
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1012/1924.1012_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial S[alve sancta parens] from a Gradual: Madonna and Child, c. 1370–74. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 16 x 13 cm (6 5/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1012
subject_titleInitial S[alve sancta parens] from a Gradual: Madonna and Child
subject_urlhttps://clevelandart.org/art/1924.1012
typeimage
Distance0.06412983
Providercma
Depiction ID1951.120.108.a_alt0_web
Subject ID1951.120.108.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.108.a/1951.120.108.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
subject_urlhttps://clevelandart.org/art/1951.120.108.a
typeimage
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Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.07085395
Providercma
Depiction ID1924.1012_alt0_web
Subject ID1924.1012
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1012/1924.1012_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial S[alve sancta parens] from a Gradual: Madonna and Child, c. 1370–74. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 16 x 13 cm (6 5/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1012
subject_titleInitial S[alve sancta parens] from a Gradual: Madonna and Child
subject_urlhttps://clevelandart.org/art/1924.1012
typeimage
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Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
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Providercma
Depiction ID1964.40.304.b_web
Subject ID1964.40.304.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.304.b/1964.40.304.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 304v, St. Martha, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.304.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 304v, St. Martha
subject_urlhttps://clevelandart.org/art/1964.40.304.b
typeimage
Distance0.08190167
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
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Providercma
Depiction ID1953.366.1_web
Subject ID1953.366.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366.1/1953.366.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366.1
subject_titleLeaf from a Book of Hours: The Visitation
subject_urlhttps://clevelandart.org/art/1953.366.1
typeimage
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Providercma
Depiction ID1964.40.96.a_alt0_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
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Providercma
Depiction ID1964.40.95.b_alt0_web
Subject ID1964.40.95.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.95.b/1964.40.95.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 95v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.95.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 95v, Text
subject_urlhttps://clevelandart.org/art/1964.40.95.b
typeimage
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Providercma
Depiction ID1953.366_alt0_web
Subject ID1953.366
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366/1953.366_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366
subject_titleLeaves from a Book of Hours: The Visitation and Christ in Judgment
subject_urlhttps://clevelandart.org/art/1953.366
typeimage
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Providercma
Depiction ID1964.40.261.a_web
Subject ID1964.40.261.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.261.a/1964.40.261.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 261r, Virgin and Child, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.261.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 261r, Virgin and Child
subject_urlhttps://clevelandart.org/art/1964.40.261.a
typeimage
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Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
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Providercma
Depiction ID1964.40.67.a_alt0_web
Subject ID1964.40.67.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
subject_urlhttps://clevelandart.org/art/1964.40.67.a
typeimage
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Providercma
Depiction ID1951.120.37.a_alt0_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1912
subject_titleManuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary
subject_urlhttps://www.metmuseum.org/art/collection/search/463603
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Depiction ID1964.40.96.a_web
Subject ID1964.40.96.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
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Depiction ID1964.40.78.b_alt1_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage