Costumes de Chasse d'Humann
Providercma
Depiction ID1942.984_web
Subject ID1942.984
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1942.984_web
Subject ID1942.984
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.984/1942.984_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCostumes de Chasse d'Humann, c. mid 1800s. Frédéric Bouchot (French). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.984
subject_titleCostumes de Chasse d'Humann
subject_urlhttps://clevelandart.org/art/1942.984
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.20647156
Providercma
Depiction ID1924.414_web
Subject ID1924.414
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.414/1924.414_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Three Names, 1869. Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.414
subject_titleThe Three Names
subject_urlhttps://clevelandart.org/art/1924.414
typeimage
Distance0.20940751
Providercma
Depiction ID1925.1082_web
Subject ID1925.1082
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1082/1925.1082_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1082
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1082
typeimage
Distance0.20953017
Providercma
Depiction ID1918.105_web
Subject ID1918.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1918.105/1918.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Plan, 1870. Paul Rajon (French, 1842/43–1888), after Édouard Detaille (French, 1848–1912). Etching with white heightening. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.105
subject_titleThe Plan
subject_urlhttps://clevelandart.org/art/1918.105
typeimage
Distance0.21081686
Providercma
Depiction ID1925.1069_web
Subject ID1925.1069
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1069/1925.1069_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1069
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1069
typeimage
Distance0.21403384
Providercma
Depiction ID1925.1017_web
Subject ID1925.1017
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1017/1925.1017_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineParisian Emotions: What Time is it, Please?, 1839. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 34.9 x 25.5 cm (13 3/4 x 10 1/16 in.); image: 24.1 x 19.8 cm (9 1/2 x 7 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1017
subject_titleWhat Time is it, Please?
subject_urlhttps://clevelandart.org/art/1925.1017
typeimage
Distance0.2183938
Providercma
Depiction ID1925.1157_web
Subject ID1925.1157
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1157/1925.1157_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFaite et Gestes du Propriétaire, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1157
subject_titleFaite et Gestes du Propriétaire
subject_urlhttps://clevelandart.org/art/1925.1157
typeimage
Distance0.22081608
Providercma
Depiction ID1943.492_web
Subject ID1943.492
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.492/1943.492_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineModes incroyables. Lions d'automne, 1839. Darny (French). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.492
subject_titleModes incroyables. Lions d'automne
subject_urlhttps://clevelandart.org/art/1943.492
typeimage
Distance0.22201377
Providercma
Depiction ID1942.1031_web
Subject ID1942.1031
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1031/1942.1031_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRevers des médailles: Moi qui vous parle, 1840. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.1031
subject_titleRevers des médailles: Moi qui vous parle
subject_urlhttps://clevelandart.org/art/1942.1031
typeimage
Distance0.22204632
Providermetmuseum
Depiction IDmetmuseum:831212:primaryImage
Subject IDmetmuseum:831212
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887456.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887456.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleAs the last grains of powder fall into the palm of his blackened hand, a superb hare..., from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831212
typeimage
Distance0.22406733
Providercma
Depiction ID1942.972_web
Subject ID1942.972
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.972/1942.972_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCostumes d' Humann, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.972
subject_titleCostumes d' Humann
subject_urlhttps://clevelandart.org/art/1942.972
typeimage
Distance0.22423083
Providercma
Depiction ID1943.486_web
Subject ID1943.486
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.486/1943.486_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineScènes de Moeurs: Voulez-vous me permettre d'allumer mon brule-gueule?, c. 1830–45. Charles Joseph Traviès de Villers (French, 1804–1859). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.486
subject_titleScènes de Moeurs: Voulez-vous me permettre d'allumer mon brule-gueule?
subject_urlhttps://clevelandart.org/art/1943.486
typeimage
Distance0.22435492
Providercma
Depiction ID1925.1144_web
Subject ID1925.1144
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1144/1925.1144_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChemin de Toulon, c. 1846–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1144
subject_titleChemin de Toulon
subject_urlhttps://clevelandart.org/art/1925.1144
typeimage
Distance0.22537237
Providercma
Depiction ID1942.943_web
Subject ID1942.943
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.943/1942.943_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLa Vie de Jeune Homme, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.943
subject_titleLa Vie de Jeune Homme
subject_urlhttps://clevelandart.org/art/1942.943
typeimage
Distance0.22717345
Providercma
Depiction ID1925.1061_web
Subject ID1925.1061
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1061/1925.1061_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAffiches Illustrées, c. 1844–46. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1061
subject_titleAffiches Illustrées
subject_urlhttps://clevelandart.org/art/1925.1061
typeimage
Distance0.2272656
Providercma
Depiction ID1942.939_web
Subject ID1942.939
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.939/1942.939_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes: En matière de sentiment, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.939
subject_titleFourberies de Femmes: En matière de sentiment
subject_urlhttps://clevelandart.org/art/1942.939
typeimage
Distance0.22858852
Providermetmuseum
Depiction IDmetmuseum:812997:primaryImage
Subject IDmetmuseum:812997
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887697.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887697.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812997
typeimage
Distance0.23115706
Providercma
Depiction ID1933.145.15_web
Subject ID1933.145.15
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1933.145.15/1933.145.15_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFaust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Faust and Méphistophélés in the mountains of the Hartz, 1828. Eugène Delacroix (French, 1798–1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1933.145.15
subject_titleIllustrations for Faust: Faust and Méphistophélés in the mountains of the Hartz
subject_urlhttps://clevelandart.org/art/1933.145.15
typeimage
Distance0.23185658
Providercma
Depiction ID1943.514_web
Subject ID1943.514
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.514/1943.514_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!, c. 1839–41. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.514
subject_titleActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!
subject_urlhttps://clevelandart.org/art/1943.514
typeimage
Distance0.23340148
Providercma
Depiction ID1925.1077_web
Subject ID1925.1077
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1077/1925.1077_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1077
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1077
typeimage
Distance0.2344265
Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887694.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887694.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812979
typeimage