Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265
subject_titleEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San Giovanni in Laterano (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink; sheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.261
subject_titleEighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San Giovanni in Laterano (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257
subject_titleEighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265.a
subject_titleEighteen Views of Rome: The Piazza Barberini (recto)
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265.a
subject_titleEighteen Views of Rome: The Piazza Barberini (recto)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265
subject_titleEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso)
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265.a
subject_titleEighteen Views of Rome: The Piazza Barberini (recto)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso)
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subject_creditlineA Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso), 1782. Francesco Guardi (Italian, 1712–1793). Pen and brown ink with brush and brown wash; sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1955.164
subject_titleA Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Trevi Fountain, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.272
subject_titleEighteen Views of Rome: The Trevi Fountain
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subject_creditlineEighteen Views of Rome: The Piazza Farnese (recto), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257.a
subject_titleEighteen Views of Rome: The Piazza Farnese (recto)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso)
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
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subject_creditlineEighteen Views of Rome: The Piazza Farnese (recto), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257.a
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
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