Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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Depiction ID1943.273_web
Subject ID1943.273
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.273
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.274
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.274
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.274
subject_titleEighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria Maggiore
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265
subject_titleEighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Trevi Fountain, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.272
subject_titleEighteen Views of Rome: The Trevi Fountain
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Trevi Fountain, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.272
subject_titleEighteen Views of Rome: The Trevi Fountain
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265.a
subject_titleEighteen Views of Rome: The Piazza Barberini (recto)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Trevi Fountain, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.272
subject_titleEighteen Views of Rome: The Trevi Fountain
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
subject_titleEighteen Views of Rome: Santa Maria in Via Lata
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
subject_titleEighteen Views of Rome: Santa Maria in Via Lata
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Church of Santa Maria in Vallicella, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.267
subject_titleEighteen Views of Rome: The Church of Santa Maria in Vallicella
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right); sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.265.a
subject_titleEighteen Views of Rome: The Piazza Barberini (recto)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Church of Sant'Ignazio, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.266
subject_titleEighteen Views of Rome: The Church of Sant'Ignazio
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subject_creditlineEighteen Views of Rome: The Church of Sant'Ignazio, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.266
subject_titleEighteen Views of Rome: The Church of Sant'Ignazio
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Church of the Gesù, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 48.7 cm (15 1/4 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.271
subject_titleEighteen Views of Rome: The Church of the Gesù
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Campidoglio, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 49.5 cm (15 3/16 x 19 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.264
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