Les Plaisirs de la chasse: Maladresse
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provider_nameCleveland Museum of Art
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subject_creditlineLes Plaisirs de la chasse: Maladresse, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.475
subject_titleLes Plaisirs de la chasse: Maladresse
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subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1124
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provider_nameCleveland Museum of Art
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subject_creditlineLes Plaisirs de la chasse: L'Arrêt, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.472
subject_titleLes Plaisirs de la chasse: L'Arrêt
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subject_creditlineLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.470
subject_titleLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval
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subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.44
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subject_creditlineLes Plaisirs de la chasse: Chasse par le sanglier, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.476
subject_titleLes Plaisirs de la chasse: Chasse par le sanglier
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subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.45
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subject_creditlineGift of The Equal Justice in the Courts Committee of Nassau County, 2022
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subject_creditlineLes Petits bonheurs de l'equitation: Lancades. Il va arriver un malheur, 1800s. France, 19th century. Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.993
subject_titleLes Petits bonheurs de l'equitation: Lancades. Il va arriver un malheur
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provider_nameCleveland Museum of Art
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subject_creditlineLes Plaisirs de la chasse: Le plus bécasse des deux n'est pas celui qu'on pense, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.477
subject_titleLes Plaisirs de la chasse: Le plus bécasse des deux n'est pas celui qu'on pense
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subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1081
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subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.37
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titleDeux chasseurs altérés, from Croquis de Chasse, published in Le Charivari, September 20, 1859
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subject_creditlineActualities: Master Courbet Inaugurates the School of Modern Painting, c. 1859–77. Émile Bénassit (French, 1833–1902). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1946.183
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleBut where are you going? The hare is not in that direction!, from 'Hunting sketches,' published in Le Charivari, October 28, 1864
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provider_nameCleveland Museum of Art
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subject_creditlineLes Plaisirs de la chasse: Sommeil, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.474
subject_titleLes Plaisirs de la chasse: Sommeil
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subject_creditlinePurchase, Gift of William Gedney Bunce, by exchange, 1979
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