Les Plaisirs de la chasse: Chasse par le sanglier
Providercma
Depiction ID1943.476_web
Subject ID1943.476
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1943.476_web
Subject ID1943.476
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.476/1943.476_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Plaisirs de la chasse: Chasse par le sanglier, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.476
subject_titleLes Plaisirs de la chasse: Chasse par le sanglier
subject_urlhttps://clevelandart.org/art/1943.476
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.21352082
Providermetmuseum
Depiction IDmetmuseum:812875:primaryImage
Subject IDmetmuseum:812875
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887670.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887670.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812875
typeimage
Distance0.2206493
Providercma
Depiction ID1943.477_web
Subject ID1943.477
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.477/1943.477_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Plaisirs de la chasse: Le plus bécasse des deux n'est pas celui qu'on pense, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.477
subject_titleLes Plaisirs de la chasse: Le plus bécasse des deux n'est pas celui qu'on pense
subject_urlhttps://clevelandart.org/art/1943.477
typeimage
Distance0.23421085
Providercma
Depiction ID1943.480_web
Subject ID1943.480
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.480/1943.480_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Rues de Paris: En voilà encore des mécaniques du cinq cent mille noms . . . c'est quelque chapelier qui aura invente ca. Ou 'on m'aille chercher le prefet de police!, c. 1830–45. Charles Joseph Traviès de Villers (French, 1804–1859). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.480
subject_titleLes Rues de Paris: En voilà encore des mécaniques du cinq cent mille noms . . . c'est quelque chapelier qui aura invente ca. Ou 'on m'aille chercher le prefet de police!
subject_urlhttps://clevelandart.org/art/1943.480
typeimage
Distance0.23440462
Providercma
Depiction ID1943.470_web
Subject ID1943.470
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.470/1943.470_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.470
subject_titleLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval
subject_urlhttps://clevelandart.org/art/1943.470
typeimage
Distance0.23637241
Providercma
Depiction ID1943.527_web
Subject ID1943.527
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.527/1943.527_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRéglement du Jockey Club de Paris: Chaque membre du Jockey Club doit avoir un Jockey, et un cheval..., 1800s. France, 19th century. Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.527
subject_titleRéglement du Jockey Club de Paris: Chaque membre du Jockey Club doit avoir un Jockey, et un cheval...
subject_urlhttps://clevelandart.org/art/1943.527
typeimage
Distance0.23663813
Providercma
Depiction ID1943.514_web
Subject ID1943.514
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.514/1943.514_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!, c. 1839–41. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.514
subject_titleActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!
subject_urlhttps://clevelandart.org/art/1943.514
typeimage
Distance0.23997664
Providercma
Depiction ID1943.474_web
Subject ID1943.474
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.474/1943.474_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Plaisirs de la chasse: Sommeil, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.474
subject_titleLes Plaisirs de la chasse: Sommeil
subject_urlhttps://clevelandart.org/art/1943.474
typeimage
Distance0.24154341
Providercma
Depiction ID1947.325_web
Subject ID1947.325
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1947.325/1947.325_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNews of the Day: To think that I might soon be reduced to exchanging my crown for a simple hat!, 1855. Honoré Daumier (French, 1808–1879), Destouches, Mon. Martinet, r. Rivoli, et 41 r. Vivienne. Lithograph; sheet: 32.4 x 25.2 cm (12 3/4 x 9 15/16 in.); image: 24.2 x 20 cm (9 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1947.325
subject_titleTo think that I might soon be reduced to exchanging my crown for a simple hat!
subject_urlhttps://clevelandart.org/art/1947.325
typeimage
Distance0.24269181
Providercma
Depiction ID1942.947_web
Subject ID1942.947
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.947/1942.947_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, 1841–1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.947
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1942.947
typeimage
Distance0.24288642
Providercma
Depiction ID1929.35_web
Subject ID1929.35
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1929.35/1929.35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.35
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1929.35
typeimage
Distance0.24371725
Providercma
Depiction ID1925.1074_web
Subject ID1925.1074
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1074/1925.1074_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1074
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1074
typeimage
Distance0.2458064
Providermetmuseum
Depiction IDmetmuseum:813012:primaryImage
Subject IDmetmuseum:813012
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887704.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887704.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Proprietor, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813012
typeimage
Distance0.24600458
Providercma
Depiction ID1943.488_web
Subject ID1943.488
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.488/1943.488_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, 1841. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.488
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1943.488
typeimage
Distance0.25083822
Providercma
Depiction ID1925.1017_web
Subject ID1925.1017
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1017/1925.1017_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineParisian Emotions: What Time is it, Please?, 1839. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 34.9 x 25.5 cm (13 3/4 x 10 1/16 in.); image: 24.1 x 19.8 cm (9 1/2 x 7 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1017
subject_titleWhat Time is it, Please?
subject_urlhttps://clevelandart.org/art/1925.1017
typeimage
Distance0.25173873
Providermetmuseum
Depiction IDmetmuseum:812946:primaryImage
Subject IDmetmuseum:812946
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887686.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887686.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812946
typeimage
Distance0.25200683
Providercma
Depiction ID1942.959_web
Subject ID1942.959
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.959/1942.959_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Lorettes, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.959
subject_titleLes Lorettes
subject_urlhttps://clevelandart.org/art/1942.959
typeimage
Distance0.25363427
Providercma
Depiction ID1943.472_web
Subject ID1943.472
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.472/1943.472_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Plaisirs de la chasse: L'Arrêt, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.472
subject_titleLes Plaisirs de la chasse: L'Arrêt
subject_urlhttps://clevelandart.org/art/1943.472
typeimage
Distance0.25566345
Providermetmuseum
Depiction IDmetmuseum:692256:primaryImage
Subject IDmetmuseum:692256
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP876827.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP876827.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Harry G. Friedman, 1960
subject_titleContinuation de l'amélioration des chevauz et de la détérioration des jockeys., from Aux Courses, published in Le Charivari, April 13, 1859
subject_urlhttps://www.metmuseum.org/art/collection/search/692256
typeimage
Distance0.2559473
Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887694.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887694.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812979
typeimage
Distance0.25684947
Providermetmuseum
Depiction IDmetmuseum:812912:primaryImage
Subject IDmetmuseum:812912
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887682.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887682.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHaving said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812912
typeimage