Actualités: Dis donc Madame Miroton il paraitrait que c'est nous qui donnons le ton à Longchamps cette année....
Providercma
Depiction ID1943.506_web
Subject ID1943.506
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Providercma
Depiction ID1943.506_web
Subject ID1943.506
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Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Dis donc Madame Miroton il paraitrait que c'est nous qui donnons le ton à Longchamps cette année...., 1841. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.506
subject_titleActualités: Dis donc Madame Miroton il paraitrait que c'est nous qui donnons le ton à Longchamps cette année....
subject_urlhttps://clevelandart.org/art/1943.506
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Providercma
Depiction ID1924.382_web
Subject ID1924.382
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhy the Pifflers Lost their Return Match, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.382
subject_titleWhy the Pifflers Lost their Return Match
subject_urlhttps://clevelandart.org/art/1924.382
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Distance0.18568718
Providercma
Depiction ID1943.519_web
Subject ID1943.519
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Les Inconvénients des voitures publique: Le cocher de..., 1839. Clémente Pruche (French, 1831–1870). Lithograph; image: 6.5 x 21.9 cm (2 9/16 x 8 5/8 in.); secondary support: 7 x 22.5 cm (2 3/4 x 8 7/8 in.). The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.519
subject_titleActualités: Les Inconvénients des voitures publique: Le cocher de...
subject_urlhttps://clevelandart.org/art/1943.519
typeimage
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Providercma
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Subject ID1943.518
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Les Inconvénients des voitures publique: L'Urbaine, 1839. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.518
subject_titleActualités: Les Inconvénients des voitures publique: L'Urbaine
subject_urlhttps://clevelandart.org/art/1943.518
typeimage
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Providercma
Depiction ID1921.1487_web
Subject ID1921.1487
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Boulevard des Italiens, 1862, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 16.2 x 22.6 cm (6 3/8 x 8 7/8 in.); sheet: 32.4 x 47 cm (12 3/4 x 18 1/2 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1487
subject_titleThe Boulevard des Italiens
subject_urlhttps://clevelandart.org/art/1921.1487
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Providercma
Depiction ID1943.527_web
Subject ID1943.527
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRéglement du Jockey Club de Paris: Chaque membre du Jockey Club doit avoir un Jockey, et un cheval..., 1800s. France, 19th century. Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.527
subject_titleRéglement du Jockey Club de Paris: Chaque membre du Jockey Club doit avoir un Jockey, et un cheval...
subject_urlhttps://clevelandart.org/art/1943.527
typeimage
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Providermetmuseum
Depiction IDmetmuseum:648089:primaryImage
Subject IDmetmuseum:648089
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleVous voyez....je viens de faire...mon marché..., from Les Hippophages, published in Le Charivari, January 13, 1857
subject_urlhttps://www.metmuseum.org/art/collection/search/648089
typeimage
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Providercma
Depiction ID1921.1505_web
Subject ID1921.1505
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAt the Universal Exhibition: The visitor will find all means of transportation desirable to return to his hotel., 1867, printed 1920. Honoré Daumier (French, 1808–1879), Julien Antoine Peulot (French, 1827–1927), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 14 x 22.3 cm (5 1/2 x 8 3/4 in.); sheet: 31.9 x 45.7 cm (12 9/16 x 18 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1505
subject_titleAt the Universal Exhibition: The visitor will find all means of transportation desirable to return to his hotel.
subject_urlhttps://clevelandart.org/art/1921.1505
typeimage
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Providercma
Depiction ID1929.35_web
Subject ID1929.35
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.35
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1929.35
typeimage
Distance0.21403164
Providercma
Depiction ID1921.1499_web
Subject ID1921.1499
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Theatre: The Last Scene, 1862, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 22.5 x 16 cm (8 7/8 x 6 5/16 in.); sheet: 45.2 x 32.4 cm (17 13/16 x 12 3/4 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1499
subject_titleThe Theatre: The Last Scene
subject_urlhttps://clevelandart.org/art/1921.1499
typeimage
Distance0.21408373
Providercma
Depiction ID1943.470_web
Subject ID1943.470
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval, 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1943.470
subject_titleLes petits bonheurs de l'équitation: Jeune Groom qui n'a pas la force de retenir son cheval
subject_urlhttps://clevelandart.org/art/1943.470
typeimage
Distance0.2163918
Providercma
Depiction ID1924.384_web
Subject ID1924.384
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Brilliant Failure, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.384
subject_titleOur Brilliant Failure
subject_urlhttps://clevelandart.org/art/1924.384
typeimage
Distance0.21651405
Providercma
Depiction ID1943.521_web
Subject ID1943.521
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?, 1842. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.521
subject_titlePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?
subject_urlhttps://clevelandart.org/art/1943.521
typeimage
Distance0.21748096
Providercma
Depiction ID1966.336_web
Subject ID1966.336
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDuguesclin, 1829. Eugène Delacroix (French, 1798–1863). Lithograph with chine collé; sheet: 48 x 34.7 cm (18 7/8 x 13 11/16 in.); image: 27.2 x 20.4 cm (10 11/16 x 8 1/16 in.). The Cleveland Museum of Art, L. E. Holden Fund, 1966.336
subject_titleDuguesclin
subject_urlhttps://clevelandart.org/art/1966.336
typeimage
Distance0.21795493
Providercma
Depiction ID1943.522_web
Subject ID1943.522
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVoyez-vous ma Chère! c'est la police qui fait jouer ces polichinels là, pour détourner l'attention..., 1840. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.522
subject_titleVoyez-vous ma Chère! c'est la police qui fait jouer ces polichinels là, pour détourner l'attention...
subject_urlhttps://clevelandart.org/art/1943.522
typeimage
Distance0.21820742
Providercma
Depiction ID1943.514_web
Subject ID1943.514
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!, c. 1839–41. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.514
subject_titleActualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!
subject_urlhttps://clevelandart.org/art/1943.514
typeimage
Distance0.22149932
Providermetmuseum
Depiction IDmetmuseum:680302:primaryImage
Subject IDmetmuseum:680302
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Harry G. Friedman, 1960
subject_titleTiens..., qu' est-ce qu' c'est donc qu' ça?..., from Naïvetés, published in Le Charivari, April 15, 1859
subject_urlhttps://www.metmuseum.org/art/collection/search/680302
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Providercma
Depiction ID1943.501_web
Subject ID1943.501
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Bon! Les moutards en veulent sussi! quand on parle de guerre! comme toute ca prend feu! ... On voit que c'est de la plante indigène!... ca promet!!, 1840. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.501
subject_titleActualités: Bon! Les moutards en veulent sussi! quand on parle de guerre! comme toute ca prend feu! ... On voit que c'est de la plante indigène!... ca promet!!
subject_urlhttps://clevelandart.org/art/1943.501
typeimage
Distance0.22199136
Providercma
Depiction ID1943.509_web
Subject ID1943.509
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineActualités: Élections d'Angleterre, 1841. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.509
subject_titleActualités: Élections d'Angleterre
subject_urlhttps://clevelandart.org/art/1943.509
typeimage
Distance0.2249726
Providermetmuseum
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Subject IDmetmuseum:648089
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleVous voyez....je viens de faire...mon marché..., from Les Hippophages, published in Le Charivari, January 13, 1857
subject_urlhttps://www.metmuseum.org/art/collection/search/648089
typeimage
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Providercma
Depiction ID1929.46_web
Subject ID1929.46
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.46
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1929.46
typeimage