Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
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Depiction ID1945.385.b_alt1_web
Subject ID1945.385.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385.b
subject_titleAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385.b
subject_titleAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
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Depiction ID1945.385.b_web
Subject ID1945.385.b
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previewhttps://openaccess-cdn.clevelandart.org/1945.385.b/1945.385.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385.b
subject_titleAnimals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
subject_urlhttps://clevelandart.org/art/1945.385.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385
subject_titleAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
subject_urlhttps://clevelandart.org/art/1945.385
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Depiction ID1945.385.a_web
Subject ID1945.385.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Precious Stones, Coins, and Musical Instruments (recto) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385.a
subject_titleAnimals, Precious Stones, Coins, and Musical Instruments (recto) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
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Depiction ID1945.385_alt0_web
Subject ID1945.385
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385
subject_titleAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
subject_urlhttps://clevelandart.org/art/1945.385
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Depiction ID1945.385_alt2_web
Subject ID1945.385
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previewhttps://openaccess-cdn.clevelandart.org/1945.385/1945.385_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385
subject_titleAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
subject_urlhttps://clevelandart.org/art/1945.385
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Providercma
Depiction ID1945.385_alt1_web
Subject ID1945.385
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341. Iran, Shiraz, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; overall: 19.7 x 13.5 cm (7 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.385
subject_titleAnimals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)
subject_urlhttps://clevelandart.org/art/1945.385
typeimage
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Providermetmuseum
Depiction IDmetmuseum:451480:primaryImage
Subject IDmetmuseum:451480
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/is/original/sf59-7r.jpg
previewhttps://images.metmuseum.org/CRDImages/is/web-large/sf59-7r.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1959
subject_title"Fable of the Lion and the Hare", Folio from a Kalila wa Dimna
subject_urlhttps://www.metmuseum.org/art/collection/search/451480
typeimage
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Providercma
Depiction ID1962.279.193.a_web
Subject ID1962.279.193.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.193.a/1962.279.193.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 7.7 x 10.3 cm (3 1/16 x 4 1/16 in.); overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.193.a
subject_titleThe monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
subject_urlhttps://clevelandart.org/art/1962.279.193.a
typeimage
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Providercma
Depiction ID1945.382.b_alt0_web
Subject ID1945.382.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1945.382.b/1945.382.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFolio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (verso), c. 1300. Iran, Maragah, Ilkhanid period (1256–1353). Opaque watercolor, ink, and gold on paper; image: 10.7 x 6 cm (4 3/16 x 2 3/8 in.); overall: 24.7 x 18.2 cm (9 3/4 x 7 3/16 in.); text area: 22.5 x 16.5 cm (8 7/8 x 6 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.382.b
subject_titleFolio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (verso)
subject_urlhttps://clevelandart.org/art/1945.382.b
typeimage
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Providercma
Depiction ID1945.382.b_web
Subject ID1945.382.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1945.382.b/1945.382.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFolio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (verso), c. 1300. Iran, Maragah, Ilkhanid period (1256–1353). Opaque watercolor, ink, and gold on paper; image: 10.7 x 6 cm (4 3/16 x 2 3/8 in.); overall: 24.7 x 18.2 cm (9 3/4 x 7 3/16 in.); text area: 22.5 x 16.5 cm (8 7/8 x 6 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.382.b
subject_titleFolio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (verso)
subject_urlhttps://clevelandart.org/art/1945.382.b
typeimage
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Providercma
Depiction ID1962.279.57.b_alt0_web
Subject ID1962.279.57.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.57.b/1962.279.57.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 4 x 10.4 cm (1 9/16 x 4 1/8 in.); overall: 20 x 13.8 cm (7 7/8 x 5 7/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.57.b
subject_titleLandscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.57.b
typeimage
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Providercma
Depiction ID1944.479.b_web
Subject ID1944.479.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.479.b/1944.479.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso), 1341. Iran, Shiraz, Inju Period (Il-Khanid), 14th Century. Opaque watercolor and ink on paper; sheet: 36.3 x 30 cm (14 5/16 x 11 13/16 in.); image: 28.6 x 24.5 cm (11 1/4 x 9 5/8 in.); overall: 37 x 30 cm (14 9/16 x 11 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.479.b
subject_titleThe Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso)
subject_urlhttps://clevelandart.org/art/1944.479.b
typeimage
Distance0.13277346
Providercma
Depiction ID1962.279.35.a_alt3_web
Subject ID1962.279.35.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.35.a/1962.279.35.a_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Attributed to Basavana (Indian, active c. 1560–1600). Gum tempera, ink, and gold on paper; overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); painting only: 10.6 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.35.a
subject_titleThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.35.a
typeimage
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Providercma
Depiction ID1962.279.113.a_alt0_web
Subject ID1962.279.113.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.113.a/1962.279.113.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night, c. 1560. India, Mughal court, 16th century. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.113.a
subject_titleThe lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night
subject_urlhttps://clevelandart.org/art/1962.279.113.a
typeimage
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Providercma
Depiction ID1962.279.26.b_alt0_web
Subject ID1962.279.26.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.26.b/1962.279.26.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 9.1 x 10.6 cm (3 9/16 x 4 3/16 in.); overall: 20 x 13.5 cm (7 7/8 x 5 5/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.26.b
subject_titleThe mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.26.b
typeimage
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Providercma
Depiction ID1945.382_web
Subject ID1945.382
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1945.382/1945.382_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineQualities of Ringdoves (recto); On the Benefits of Quails (verso), from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68), c. 1300. Iran, Maragah, Ilkhanid period (1256–1353). Opaque watercolor, ink, and gold on paper; image: 10.2 x 9 cm (4 x 3 9/16 in.); overall: 24.7 x 18.2 cm (9 3/4 x 7 3/16 in.); text area: 22.2 x 16.5 cm (8 3/4 x 6 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.382
subject_titleQualities of Ringdoves (recto); On the Benefits of Quails (verso), from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68)
subject_urlhttps://clevelandart.org/art/1945.382
typeimage
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Providercma
Depiction ID1962.279.113.a_web
Subject ID1962.279.113.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.113.a/1962.279.113.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night, c. 1560. India, Mughal court, 16th century. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.113.a
subject_titleThe lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night
subject_urlhttps://clevelandart.org/art/1962.279.113.a
typeimage
Distance0.13760227
Providercma
Depiction ID1960.44_web
Subject ID1960.44
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.44/1960.44_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44
subject_titleVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama
subject_urlhttps://clevelandart.org/art/1960.44
typeimage
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Providercma
Depiction ID1944.479_web
Subject ID1944.479
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.479/1944.479_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto); The Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso), 1341. Iran, Shiraz, Inju (Il-Khanid), 14th Century. Opaque watercolor and ink on paper; sheet: 36.3 x 30 cm (14 5/16 x 11 13/16 in.); image: 28.6 x 24.5 cm (11 1/4 x 9 5/8 in.); overall: 37 x 30 cm (14 9/16 x 11 13/16 in.); text area: 29 x 24.5 cm (11 7/16 x 9 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.479
subject_titleThe Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto); The Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso)
subject_urlhttps://clevelandart.org/art/1944.479
typeimage