London As It Is: Blackfriars, from Southwark Bridge
Providercma
Depiction ID1946.10.g_web
Subject ID1946.10.g
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1946.10.g_web
Subject ID1946.10.g
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.10.g/1946.10.g_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is: Blackfriars, from Southwark Bridge, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10.g
subject_titleLondon As It Is: Blackfriars, from Southwark Bridge
subject_urlhttps://clevelandart.org/art/1946.10.g
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.05368364
Providercma
Depiction ID1946.10.e_web
Subject ID1946.10.e
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.10.e/1946.10.e_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is: London Bridge, from Southwark Bridge, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10.e
subject_titleLondon As It Is: London Bridge, from Southwark Bridge
subject_urlhttps://clevelandart.org/art/1946.10.e
typeimage
Distance0.10498458
Providercma
Depiction ID1946.10.h_web
Subject ID1946.10.h
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.10.h/1946.10.h_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is: Westminster, from Waterloo Bridge, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10.h
subject_titleLondon As It Is: Westminster, from Waterloo Bridge
subject_urlhttps://clevelandart.org/art/1946.10.h
typeimage
Distance0.10515463
Providercma
Depiction ID1946.10.h_alt1_web
Subject ID1946.10.h
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.10.h/1946.10.h_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is: Westminster, from Waterloo Bridge, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10.h
subject_titleLondon As It Is: Westminster, from Waterloo Bridge
subject_urlhttps://clevelandart.org/art/1946.10.h
typeimage
Distance0.10756755
Providercma
Depiction ID1946.10_alt28_web
Subject ID1946.10
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.10/1946.10_alt28_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10
subject_titleLondon As It Is
subject_urlhttps://clevelandart.org/art/1946.10
typeimage
Distance0.11173916
Providermetmuseum
Depiction IDmetmuseum:744878:primaryImage
Subject IDmetmuseum:744878
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP880579.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP880579.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleA View of London from the Thames
subject_urlhttps://www.metmuseum.org/art/collection/search/744878
typeimage
Distance0.12940198
Providermetmuseum
Depiction IDmetmuseum:392486:primaryImage
Subject IDmetmuseum:392486
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP231021.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP231021.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer Bequest and PECO Foundation and Malcolm Hewitt Wiener Foundation Gifts, 2010
subject_titleWestminster Bridge, the Surrey side
subject_urlhttps://www.metmuseum.org/art/collection/search/392486
typeimage
Distance0.13185376
Providercma
Depiction ID1925.599_web
Subject ID1925.599
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.599/1925.599_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSouthwest Prospect of London, 1760. England, 18th century. Hand-colored engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1925.599
subject_titleSouthwest Prospect of London
subject_urlhttps://clevelandart.org/art/1925.599
typeimage
Distance0.14667833
Providermetmuseum
Depiction IDmetmuseum:459645:primaryImage
Subject IDmetmuseum:459645
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/DP-17358-046.jpg
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/DP-17358-046.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleView of Murano
subject_urlhttps://www.metmuseum.org/art/collection/search/459645
typeimage
Distance0.15174156
Providercma
Depiction ID1950.219.6_web
Subject ID1950.219.6
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.6/1950.219.6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.6
typeimage
Distance0.15709472
Providercma
Depiction ID1950.219.8_web
Subject ID1950.219.8
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.8/1950.219.8_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.8
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint
subject_urlhttps://clevelandart.org/art/1950.219.8
typeimage
Distance0.15813398
Providercma
Depiction ID1950.219.11_web
Subject ID1950.219.11
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.11/1950.219.11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.11
typeimage
Distance0.16349053
Providercma
Depiction ID1940.558_web
Subject ID1940.558
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1940.558/1940.558_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon Bridge. James Holland (British, 1800–1870). Watercolor; sheet: 26.1 x 45.8 cm (10 1/4 x 18 1/16 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.558
subject_titleLondon Bridge
subject_urlhttps://clevelandart.org/art/1940.558
typeimage
Distance0.16959393
Providercma
Depiction ID1925.605_web
Subject ID1925.605
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.605/1925.605_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGeneral View of London, 1700s. England, 18th century. Hand-colored engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1925.605
subject_titleGeneral View of London
subject_urlhttps://clevelandart.org/art/1925.605
typeimage
Distance0.17064005
Providercma
Depiction ID1950.219.2_web
Subject ID1950.219.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.2/1950.219.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
subject_urlhttps://clevelandart.org/art/1950.219.2
typeimage
Distance0.17077482
Providermetmuseum
Depiction IDmetmuseum:459030:primaryImage
Subject IDmetmuseum:459030
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/DT3062.jpg
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/DT3062.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleThe Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
subject_urlhttps://www.metmuseum.org/art/collection/search/459030
typeimage
Distance0.17084318
Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.12/1950.219.12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
typeimage
Distance0.17104876
Providercma
Depiction ID1950.219.5_web
Subject ID1950.219.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.5/1950.219.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
subject_urlhttps://clevelandart.org/art/1950.219.5
typeimage
Distance0.17241365
Providercma
Depiction ID1966.4_web
Subject ID1966.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.4/1966.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of Orléans from the Loire, c. 1670. Lambert Doomer (Dutch, 1623–1700). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1966.4
subject_titleView of Orléans from the Loire
subject_urlhttps://clevelandart.org/art/1966.4
typeimage
Distance0.17320079
Providermetmuseum
Depiction IDmetmuseum:459984:primaryImage
Subject IDmetmuseum:459984
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-677.jpg
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-677.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleView of the Tiber
subject_urlhttps://www.metmuseum.org/art/collection/search/459984
typeimage
Distance0.17422515
Providercma
Depiction ID1950.219.17_web
Subject ID1950.219.17
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.17/1950.219.17_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
typeimage