A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
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Depiction ID1950.219.11_web
Subject ID1950.219.11
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Providercma
Depiction ID1950.219.11_web
Subject ID1950.219.11
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
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Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.11
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Providercma
Depiction ID1950.219.6_web
Subject ID1950.219.6
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.6
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Providermetmuseum
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Subject IDmetmuseum:338095
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Anne Straus, 2019
subject_titleThe Apse of Notre-Dame, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/338095
typeimage
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Providercma
Depiction ID1950.219.4_web
Subject ID1950.219.4
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
subject_urlhttps://clevelandart.org/art/1950.219.4
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Providercma
Depiction ID1950.219.9_web
Subject ID1950.219.9
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
subject_urlhttps://clevelandart.org/art/1950.219.9
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Providercma
Depiction ID1953.10_web
Subject ID1953.10
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEtchings of Paris: The Petit Pont, 1850. Charles Meryon (French, 1821–1868). Etching with engraving; sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.10
subject_titleThe Petit Pont
subject_urlhttps://clevelandart.org/art/1953.10
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Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
typeimage
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Providermetmuseum
Depiction IDmetmuseum:371688:primaryImage
Subject IDmetmuseum:371688
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Charles Pratt, 1957
subject_titleThe Petit Pont, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/371688
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Providercma
Depiction ID1950.219.7_web
Subject ID1950.219.7
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.7
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
subject_urlhttps://clevelandart.org/art/1950.219.7
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Providermetmuseum
Depiction IDmetmuseum:371687:primaryImage
Subject IDmetmuseum:371687
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Christian A. Zabriskie, 1940
subject_titleThe Petit Pont, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/371687
typeimage
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Providercma
Depiction ID1959.378_web
Subject ID1959.378
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineL'Abside de Notre Dame de Paris, c. 1881. Edmond Gosselin (French). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1959.378
subject_titleL'Abside de Notre Dame de Paris
subject_urlhttps://clevelandart.org/art/1959.378
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Providermetmuseum
Depiction IDmetmuseum:395599:primaryImage
Subject IDmetmuseum:395599
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleThe Apse of Notre-Dame, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/395599
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Providercma
Depiction ID1959.380_web
Subject ID1959.380
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLe Pont-au-change, Paris, vers 1784, c. 1881. Edmond Gosselin (French). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1959.380
subject_titleLe Pont-au-change, Paris, vers 1784
subject_urlhttps://clevelandart.org/art/1959.380
typeimage
Distance0.13328063
Providercma
Depiction ID1950.219.3_web
Subject ID1950.219.3
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
subject_urlhttps://clevelandart.org/art/1950.219.3
typeimage
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Providercma
Depiction ID1966.4_web
Subject ID1966.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of Orléans from the Loire, c. 1670. Lambert Doomer (Dutch, 1623–1700). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1966.4
subject_titleView of Orléans from the Loire
subject_urlhttps://clevelandart.org/art/1966.4
typeimage
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Providermetmuseum
Depiction IDmetmuseum:376652:primaryImage
Subject IDmetmuseum:376652
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineH.O. Havemeyer Collection, Mrs. H.O. Havemeyer Bequest, 1929
subject_titleThe Apse of Nôtre-Dame, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/376652
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Providermetmuseum
Depiction IDmetmuseum:376651:primaryImage
Subject IDmetmuseum:376651
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleThe Apse of Notre-Dame, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/376651
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Providercma
Depiction ID1946.10.e_web
Subject ID1946.10.e
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLondon As It Is: London Bridge, from Southwark Bridge, 1842. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.10.e
subject_titleLondon As It Is: London Bridge, from Southwark Bridge
subject_urlhttps://clevelandart.org/art/1946.10.e
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Providermetmuseum
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Subject IDmetmuseum:376649
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleThe Apse of Notre-Dame, Paris
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleThe Petit Pont, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/371689
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer Bequest and PECO Foundation and Malcolm Hewitt Wiener Foundation Gifts, 2010
subject_titleWestminster Bridge, the Surrey side
subject_urlhttps://www.metmuseum.org/art/collection/search/392486
typeimage