A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
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Subject ID1950.219.12
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Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
subject_urlhttps://clevelandart.org/art/1950.219.3
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarry G. Sperling Fund, 2017
subject_titleItalianate river landscape
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Providercma
Depiction ID1950.219.16_web
Subject ID1950.219.16
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace at St. Germain-en-Laye, the Aqueduct of Marli seen in the Distance, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.16
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace at St. Germain-en-Laye, the Aqueduct of Marli seen in the Distance
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.19
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.19
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1954
subject_titleView of New York
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provider_nameThe Metropolitan Museum of Art
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subject_titleImaginary View of Padua
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.1
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineTwo Views of Paris (verso), 1800–1843. Georges Michel (French, 1763–1843). Pen and black ink and brush and gray and yellow wash over graphite; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184.b
subject_titleTwo Views of Paris (verso)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2006
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