A Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
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Subject ID1950.219.13
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Providercma
Depiction ID1950.219.13_web
Subject ID1950.219.13
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
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subject_creditlineTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.18
subject_titleTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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subject_titleLandscape with Trees Surrounding a Pond
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subject_creditlineLandscape, c. 1796–1837. John Constable (British, 1776–1837). Watercolor; sheet: 12.8 x 29.9 cm (5 1/16 x 11 3/4 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.551
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subject_creditlineLandscape with Trees Surrounding a Pond, c. 1800–37. John Constable (British, 1776–1837). Graphite; sheet: 19.5 x 31.1 cm (7 11/16 x 12 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.551
subject_titleLandscape with Trees Surrounding a Pond
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2014
subject_titleRuins at Oestergoedland
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.20
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.19
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
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