A Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace at St. Germain-en-Laye, the Aqueduct of Marli seen in the Distance
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Subject ID1950.219.16
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Depiction ID1950.219.16_web
Subject ID1950.219.16
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Created2026-10-07
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace at St. Germain-en-Laye, the Aqueduct of Marli seen in the Distance, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.16
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace at St. Germain-en-Laye, the Aqueduct of Marli seen in the Distance
subject_urlhttps://clevelandart.org/art/1950.219.16
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
subject_urlhttps://clevelandart.org/art/1950.219.5
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarry G. Sperling Fund, 2017
subject_titleItalianate river landscape
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Subject ID1950.219.14
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
subject_urlhttps://clevelandart.org/art/1950.219.14
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineFrom the Collection of Rita and Frits Markus, Bequest of Rita Markus, 2005
subject_titleView of Calcar on the Lower Rhine near Cleves
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineJerusalem from the Mount of Olives, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.124
subject_titleJerusalem from the Mount of Olives
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provider_nameCleveland Museum of Art
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subject_creditlineJerusalem from the Mount of Olives, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.118
subject_titleJerusalem from the Mount of Olives
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Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
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Providercma
Depiction ID1927.140_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHebron, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.140
subject_titleHebron
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1957
subject_titleLandscape with Pyramid of Gaius Cestius, at Rome (Smaller Italian sketchbook, leaf 25 recto)
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Providercma
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Subject ID1950.219.17
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBethlehem, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.131
subject_titleBethlehem
subject_urlhttps://clevelandart.org/art/1927.131
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRobert Lehman Collection, 1975
subject_titleThe Palatine Hill, Rome
subject_urlhttps://www.metmuseum.org/art/collection/search/459985
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Providermetmuseum
Depiction IDmetmuseum:338189:primaryImage
Subject IDmetmuseum:338189
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Walter C. Baker, 1971
subject_titlePadua from the East, with San Francesco and the Salone
subject_urlhttps://www.metmuseum.org/art/collection/search/338189
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Providermetmuseum
Depiction IDmetmuseum:335688:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineVan Day Truex Fund, 1987
subject_titleGenzano and Lake Nemi
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineKaren B. Cohen Fund, 2007
subject_titleView of the Outskirts of Madrid
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineJerusalem from the South, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.95
subject_titleJerusalem from the South
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provider_nameThe Metropolitan Museum of Art
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subject_titleLandscape
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Providercma
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Subject ID1977.22
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provider_nameCleveland Museum of Art
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subject_creditlineLandscape Near Paris, c. 1860. Léon Bonvin (French, 1834–1866). Watercolor, gouache, and graphite on cream laid paper; sheet: 9.3 x 25 cm (3 11/16 x 9 13/16 in.). The Cleveland Museum of Art, Gift of Robert Arthur Mann, 1977.22
subject_titleLandscape Near Paris
subject_urlhttps://clevelandart.org/art/1977.22
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Providercma
Depiction ID1950.219.13_web
Subject ID1950.219.13
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
subject_urlhttps://clevelandart.org/art/1950.219.13
typeimage