A Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
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Depiction ID1950.219.19_web
Subject ID1950.219.19
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Providercma
Depiction ID1950.219.19_web
Subject ID1950.219.19
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.19
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.19
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Providercma
Depiction ID1950.219.20_web
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.20
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton
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subject_titleTownscape with a Bridge
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Joseph Pulitzer Bequest and PECO Foundation and Malcolm Hewitt Wiener Foundation Gifts, 2010
subject_titleWestminster Bridge, the Surrey side
subject_urlhttps://www.metmuseum.org/art/collection/search/392486
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleCarmarthen Castle, Wales
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Providercma
Depiction ID1950.219.18_web
Subject ID1950.219.18
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.18
subject_titleTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineFletcher Fund, 1940
subject_titlePonte Molle, Rome
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Providercma
Depiction ID1950.219.9_web
Subject ID1950.219.9
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
subject_urlhttps://clevelandart.org/art/1950.219.9
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Mr. and Mrs. David T. Schiff Gift, 1978
subject_titleA View of the Tiber from the North Bank, with the Temple of Vesta, the Campanile of S. Maria in Cosmedin and the Ponte Rotto
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Providercma
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Subject ID1950.219.12
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
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Providercma
Depiction ID1950.219.13_web
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
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subject_creditlineHarry G. Sperling Fund, 2017
subject_titleItalianate river landscape
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Providermetmuseum
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subject_creditlinePurchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2009
subject_titleView of Uppsala cathedral from the North
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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provider_nameCleveland Museum of Art
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subject_creditlineView of the Ponte Rotto, Rome, 1639/45. Jan Asselyn (Dutch, c. 1610–1652). Brush and gray wash over graphite; framing lines in brown ink; sheet: 35.4 x 57.6 cm (13 15/16 x 22 11/16 in.); secondary support: 45.6 x 63.8 cm (17 15/16 x 25 1/8 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Robert Schermer, 1972.360
subject_titleView of the Ponte Rotto, Rome
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