A Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay
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Subject ID1950.219.1
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Providercma
Depiction ID1950.219.1_web
Subject ID1950.219.1
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Created2026-10-07
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.1
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.6
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleL'Ancien Louvre (The Old Louvre, Paris)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleThe Old Louvre, Paris, after Zeeman
subject_urlhttps://www.metmuseum.org/art/collection/search/376825
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Providercma
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Subject ID1950.219.17
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
subject_urlhttps://clevelandart.org/art/1950.219.3
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.8
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint
subject_urlhttps://clevelandart.org/art/1950.219.8
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Old Louvre from a Painting by Zeeman, 1651, 1866. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.909
subject_titleThe Old Louvre from a Painting by Zeeman, 1651
subject_urlhttps://clevelandart.org/art/1954.909
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Providercma
Depiction ID1950.219.9_web
Subject ID1950.219.9
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
subject_urlhttps://clevelandart.org/art/1950.219.9
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Providercma
Depiction ID1950.219.14_web
Subject ID1950.219.14
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
subject_urlhttps://clevelandart.org/art/1950.219.14
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Providercma
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Subject ID1950.219.11
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.11
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of Orléans from the Loire, c. 1670. Lambert Doomer (Dutch, 1623–1700). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1966.4
subject_titleView of Orléans from the Loire
subject_urlhttps://clevelandart.org/art/1966.4
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Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
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Providercma
Depiction ID1950.219.5_web
Subject ID1950.219.5
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
subject_urlhttps://clevelandart.org/art/1950.219.5
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleLe Pont au Change
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Anne Straus, 2019
subject_titleThe Apse of Notre-Dame, Paris
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLe Pont-au-change, Paris, vers 1784, c. 1881. Edmond Gosselin (French). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1959.380
subject_titleLe Pont-au-change, Paris, vers 1784
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Providercma
Depiction ID1950.219.7_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.7
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
subject_urlhttps://clevelandart.org/art/1950.219.7
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Subject IDmetmuseum:371936
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePont-au-Change, Paris, from "Etchings of Paris"
subject_urlhttps://www.metmuseum.org/art/collection/search/371936
typeimage