A Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.8
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
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subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
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