A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
Providercma
Depiction ID1950.219.4_web
Subject ID1950.219.4
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1950.219.4_web
Subject ID1950.219.4
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.4/1950.219.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
subject_urlhttps://clevelandart.org/art/1950.219.4
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.08245587
Providercma
Depiction ID1950.219.11_web
Subject ID1950.219.11
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.11/1950.219.11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.11
typeimage
Distance0.08594245
Providercma
Depiction ID1950.219.6_web
Subject ID1950.219.6
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.6/1950.219.6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.6
typeimage
Distance0.09482616
Providercma
Depiction ID1950.219.3_web
Subject ID1950.219.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.3/1950.219.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
subject_urlhttps://clevelandart.org/art/1950.219.3
typeimage
Distance0.09628993
Providercma
Depiction ID1950.219.9_web
Subject ID1950.219.9
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.9/1950.219.9_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
subject_urlhttps://clevelandart.org/art/1950.219.9
typeimage
Distance0.11287403
Providercma
Depiction ID1959.380_web
Subject ID1959.380
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1959.380/1959.380_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLe Pont-au-change, Paris, vers 1784, c. 1881. Edmond Gosselin (French). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1959.380
subject_titleLe Pont-au-change, Paris, vers 1784
subject_urlhttps://clevelandart.org/art/1959.380
typeimage
Distance0.11823088
Providermetmuseum
Depiction IDmetmuseum:338095:primaryImage
Subject IDmetmuseum:338095
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP-20970-001.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP-20970-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Anne Straus, 2019
subject_titleThe Apse of Notre-Dame, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/338095
typeimage
Distance0.12001431
Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.12/1950.219.12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
typeimage
Distance0.12222791
Providermetmuseum
Depiction IDmetmuseum:424171:primaryImage
Subject IDmetmuseum:424171
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP833797.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP833797.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineAnonymous Gift, 2012
subject_titleLe Pont-au-Change vers 1784
subject_urlhttps://www.metmuseum.org/art/collection/search/424171
typeimage
Distance0.12682611
Providercma
Depiction ID1950.219.19_web
Subject ID1950.219.19
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.19/1950.219.19_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.19
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.19
typeimage
Distance0.1304996
Providercma
Depiction ID1950.219.17_web
Subject ID1950.219.17
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.17/1950.219.17_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
typeimage
Distance0.13628882
Providermetmuseum
Depiction IDmetmuseum:376704:primaryImage
Subject IDmetmuseum:376704
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813230.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP813230.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleLe Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784)
subject_urlhttps://www.metmuseum.org/art/collection/search/376704
typeimage
Distance0.13790965
Providercma
Depiction ID1950.219.2_web
Subject ID1950.219.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.2/1950.219.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
subject_urlhttps://clevelandart.org/art/1950.219.2
typeimage
Distance0.1405248
Providercma
Depiction ID1954.903_web
Subject ID1954.903
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.903/1954.903_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Exchange Bridge, Paris, about 1784, 1855. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.903
subject_titleThe Exchange Bridge, Paris, about 1784
subject_urlhttps://clevelandart.org/art/1954.903
typeimage
Distance0.14128768
Providercma
Depiction ID1966.4_web
Subject ID1966.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.4/1966.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineView of Orléans from the Loire, c. 1670. Lambert Doomer (Dutch, 1623–1700). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1966.4
subject_titleView of Orléans from the Loire
subject_urlhttps://clevelandart.org/art/1966.4
typeimage
Distance0.14620054
Providercma
Depiction ID1946.36.9_web
Subject ID1946.36.9
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.36.9/1946.36.9_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePicturesque Architecture in Paris, Ghent, Antwerp, Rouen: Rue du Rivage, Abbeville, France, 1839. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.36.9
subject_titlePicturesque Architecture in Paris, Ghent, Antwerp, Rouen: Rue du Rivage, Abbeville, France
subject_urlhttps://clevelandart.org/art/1946.36.9
typeimage
Distance0.15241706
Providercma
Depiction ID1950.219.7_web
Subject ID1950.219.7
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.7/1950.219.7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.7
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
subject_urlhttps://clevelandart.org/art/1950.219.7
typeimage
Distance0.15453798
Providermetmuseum
Depiction IDmetmuseum:371688:primaryImage
Subject IDmetmuseum:371688
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813099.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP813099.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Charles Pratt, 1957
subject_titleThe Petit Pont, Paris
subject_urlhttps://www.metmuseum.org/art/collection/search/371688
typeimage
Distance0.15463942
Providercma
Depiction ID1946.36.27_web
Subject ID1946.36.27
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1946.36.27/1946.36.27_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePicturesque Architecture in Paris, Ghent, Antwerp, Rouen: Nôtre Dame, Paris, from the Quai St. Bernard, 1839. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.36.27
subject_titlePicturesque Architecture in Paris, Ghent, Antwerp, Rouen: Nôtre Dame, Paris, from the Quai St. Bernard
subject_urlhttps://clevelandart.org/art/1946.36.27
typeimage
Distance0.15481251
Providercma
Depiction ID1950.219.8_web
Subject ID1950.219.8
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.8/1950.219.8_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.8
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint
subject_urlhttps://clevelandart.org/art/1950.219.8
typeimage
Distance0.1556949
Providercma
Depiction ID1953.10_web
Subject ID1953.10
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.10/1953.10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEtchings of Paris: The Petit Pont, 1850. Charles Meryon (French, 1821–1868). Etching with engraving; sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.10
subject_titleThe Petit Pont
subject_urlhttps://clevelandart.org/art/1953.10
typeimage