A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
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Depiction ID1950.219.9_web
Subject ID1950.219.9
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Providercma
Depiction ID1950.219.9_web
Subject ID1950.219.9
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.9
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.4
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont St. Michel, taken from Pont Neuf
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.11
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.3
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.6
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge and taken from Pont de la Concorde
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.2
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.19
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.19
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Anne Straus, 2019
subject_titleThe Apse of Notre-Dame, Paris
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.8
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint
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provider_nameCleveland Museum of Art
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subject_creditlineLe Pont Neuf, c. 1881. Edmond Gosselin (French). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1959.375
subject_titleLe Pont Neuf
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.1
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris
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provider_nameCleveland Museum of Art
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subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.7
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
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subject_creditlineRogers Fund, 1917
subject_titleLe Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784)
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