Book of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
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Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
subject_urlhttps://clevelandart.org/art/1951.120.108.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.55.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds)
subject_urlhttps://clevelandart.org/art/1964.40.55.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.144.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ
subject_urlhttps://clevelandart.org/art/1964.40.144.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
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Depiction ID1964.40.283.b_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 283v, Martyrs: Unidentified Saint, SS. Stephen and Lawrence, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.283.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 283v, Martyrs: Unidentified Saint, SS. Stephen and Lawrence
subject_urlhttps://clevelandart.org/art/1964.40.283.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
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Depiction ID1964.40.185.a_alt0_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.185.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion
subject_urlhttps://clevelandart.org/art/1964.40.185.a
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