Leaf Excised from a Psalter: The Pentecost
Providercma
Depiction ID1953.145.3_web
Subject ID1953.145.3
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1953.145.3_web
Subject ID1953.145.3
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.3/1953.145.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: The Pentecost, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 12.5 x 8.4 cm (4 15/16 x 3 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.3
subject_titleLeaf Excised from a Psalter: The Pentecost
subject_urlhttps://clevelandart.org/art/1953.145.3
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.061701
Providercma
Depiction ID1953.145.2_web
Subject ID1953.145.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.2/1953.145.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: The Ascension, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 11.9 x 8.6 cm (4 11/16 x 3 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.2
subject_titleLeaf Excised from a Psalter: The Ascension
subject_urlhttps://clevelandart.org/art/1953.145.2
typeimage
Distance0.06275135
Providercma
Depiction ID1953.145.4_web
Subject ID1953.145.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.4/1953.145.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: The Annunciation, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 12 x 8.5 cm (4 3/4 x 3 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.4
subject_titleLeaf Excised from a Psalter: The Annunciation
subject_urlhttps://clevelandart.org/art/1953.145.4
typeimage
Distance0.08625907
Providercma
Depiction ID1953.145.6_web
Subject ID1953.145.6
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.6/1953.145.6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: Flight Into Egypt, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 11.6 x 8.3 cm (4 9/16 x 3 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.6
subject_titleLeaf Excised from a Psalter: Flight Into Egypt
subject_urlhttps://clevelandart.org/art/1953.145.6
typeimage
Distance0.08981317
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.090427995
Providercma
Depiction ID1953.145.5_web
Subject ID1953.145.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.5/1953.145.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: The Nativity, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 12.5 x 8.6 cm (4 15/16 x 3 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.5
subject_titleLeaf Excised from a Psalter: The Nativity
subject_urlhttps://clevelandart.org/art/1953.145.5
typeimage
Distance0.09151435
Providercma
Depiction ID1951.120.108.a_alt0_web
Subject ID1951.120.108.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.108.a/1951.120.108.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
subject_urlhttps://clevelandart.org/art/1951.120.108.a
typeimage
Distance0.09180385
Providercma
Depiction ID1942.169.50.a_web
Subject ID1942.169.50.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.50.a/1942.169.50.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
subject_urlhttps://clevelandart.org/art/1942.169.50.a
typeimage
Distance0.09566903
Providercma
Depiction ID1953.366.1_web
Subject ID1953.366.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366.1/1953.366.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366.1
subject_titleLeaf from a Book of Hours: The Visitation
subject_urlhttps://clevelandart.org/art/1953.366.1
typeimage
Distance0.097250104
Providercma
Depiction ID1951.120.37.a_alt0_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.0978812
Providercma
Depiction ID1955.79.2_alt0_web
Subject ID1955.79.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.2/1955.79.2_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 17 x 12.5 cm (6 11/16 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.2
subject_titleBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.2
typeimage
Distance0.102761805
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.10325378
Providercma
Depiction ID1953.366_alt0_web
Subject ID1953.366
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366/1953.366_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366
subject_titleLeaves from a Book of Hours: The Visitation and Christ in Judgment
subject_urlhttps://clevelandart.org/art/1953.366
typeimage
Distance0.103714705
Providercma
Depiction ID1964.40.96.a_alt2_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.10446292
Providercma
Depiction ID1930.105_web
Subject ID1930.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.105/1930.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial G[audeamus omnes] from a Gradual: The Court of Heaven, 1371–77. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 38.6 x 36.5 cm (15 3/16 x 14 3/8 in.); framed: 68.9 x 53 cm (27 1/8 x 20 7/8 in.); matted: 63.5 x 47.6 cm (25 x 18 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1930.105
subject_titleInitial G[audeamus omnes] from a Gradual: The Court of Heaven
subject_urlhttps://clevelandart.org/art/1930.105
typeimage
Distance0.104605556
Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.10528666
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.105726
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.10718602
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.10856706
Providercma
Depiction ID1952.227.13.a_web
Subject ID1952.227.13.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.13.a
subject_titleBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists
subject_urlhttps://clevelandart.org/art/1952.227.13.a
typeimage
Distance0.10962695
Providercma
Depiction ID1952.232_web
Subject ID1952.232
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.232/1952.232_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb, c. 1280–1300. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 18 x 15.8 cm (7 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.232
subject_titleInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb
subject_urlhttps://clevelandart.org/art/1952.232
typeimage