Leaf from a Book of Hours: Coronation of the Virgin
Providercma
Depiction ID1954.140.2_web
Subject ID1954.140.2
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1954.140.2_web
Subject ID1954.140.2
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.2/1954.140.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Coronation of the Virgin, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.2
subject_titleLeaf from a Book of Hours: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1954.140.2
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.028565645
Providercma
Depiction ID1954.140.2_alt0_web
Subject ID1954.140.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.2/1954.140.2_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Coronation of the Virgin, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.2
subject_titleLeaf from a Book of Hours: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1954.140.2
typeimage
Distance0.093257666
Providercma
Depiction ID1955.79.2_alt0_web
Subject ID1955.79.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.2/1955.79.2_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 17 x 12.5 cm (6 11/16 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.2
subject_titleBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.2
typeimage
Distance0.10263389
Providercma
Depiction ID1964.40.96.a_alt2_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.10316461
Providercma
Depiction ID1954.140.5_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.10499507
Providercma
Depiction ID1942.169.50.a_web
Subject ID1942.169.50.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.50.a/1942.169.50.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
subject_urlhttps://clevelandart.org/art/1942.169.50.a
typeimage
Distance0.10821432
Providercma
Depiction ID1924.431_web
Subject ID1924.431
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.431/1924.431_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial M[issus est] Excised from an Antiphonary: The Annunciation, 1430–1438. Stefano da Verona (Italian, c. 1375–1438). Ink, tempera, and gold on vellum; sheet: 19.7 x 16.7 cm (7 3/4 x 6 9/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.431
subject_titleInitial M[issus est] Excised from an Antiphonary: The Annunciation
subject_urlhttps://clevelandart.org/art/1924.431
typeimage
Distance0.10886407
Providercma
Depiction ID1986.151_web
Subject ID1986.151
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1986.151/1986.151_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHalf Leaf from a Missal: The Annunciation, c. 1415. France, Avignon. Ink, tempera, and gold on parchment; sheet: 24.8 x 15.3 cm (9 3/4 x 6 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 1986.151
subject_titleHalf Leaf from a Missal: The Annunciation
subject_urlhttps://clevelandart.org/art/1986.151
typeimage
Distance0.11603695
Providercma
Depiction ID1964.40.29.a_alt1_web
Subject ID1964.40.29.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.29.a/1964.40.29.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
typeimage
Distance0.11817044
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.11878401
Providercma
Depiction ID1954.140.5_alt0_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.11881888
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.11907345
Providermetmuseum
Depiction IDmetmuseum:476562:primaryImage
Subject IDmetmuseum:476562
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/tr626-2004s1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/tr626-2004s1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Peter Sharrer, 2004
subject_titleManuscript Leaf with the Annunciation from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/476562
typeimage
Distance0.1207127
Providercma
Depiction ID1951.120.67.a_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.12091231
Providermetmuseum
Depiction IDmetmuseum:460342:primaryImage
Subject IDmetmuseum:460342
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2480.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2480.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleCoronation of the Virgin
subject_urlhttps://www.metmuseum.org/art/collection/search/460342
typeimage
Distance0.12128121
Providercma
Depiction ID1964.40.29.a_web
Subject ID1964.40.29.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.29.a/1964.40.29.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
typeimage
Distance0.12189269
Providercma
Depiction ID1930.105_web
Subject ID1930.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.105/1930.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial G[audeamus omnes] from a Gradual: The Court of Heaven, 1371–77. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 38.6 x 36.5 cm (15 3/16 x 14 3/8 in.); framed: 68.9 x 53 cm (27 1/8 x 20 7/8 in.); matted: 63.5 x 47.6 cm (25 x 18 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1930.105
subject_titleInitial G[audeamus omnes] from a Gradual: The Court of Heaven
subject_urlhttps://clevelandart.org/art/1930.105
typeimage
Distance0.12270194
Providercma
Depiction ID1952.232_web
Subject ID1952.232
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.232/1952.232_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb, c. 1280–1300. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 18 x 15.8 cm (7 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.232
subject_titleInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb
subject_urlhttps://clevelandart.org/art/1952.232
typeimage
Distance0.12277746
Providercma
Depiction ID1952.227.80.a_web
Subject ID1952.227.80.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.80.a/1952.227.80.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.80.a
subject_titleBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath
subject_urlhttps://clevelandart.org/art/1952.227.80.a
typeimage
Distance0.12315893
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.12324399
Providercma
Depiction ID1964.40.78.b_alt1_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage