Leaf from a Book of Hours: Presentation in the Temple
Providercma
Depiction ID1954.140.4_alt0_web
Subject ID1954.140.4
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1954.140.4_alt0_web
Subject ID1954.140.4
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.4/1954.140.4_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Presentation in the Temple, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.4
subject_titleLeaf from a Book of Hours: Presentation in the Temple
subject_urlhttps://clevelandart.org/art/1954.140.4
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.020415604
Providercma
Depiction ID1954.140.4_web
Subject ID1954.140.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.4/1954.140.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Presentation in the Temple, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.4
subject_titleLeaf from a Book of Hours: Presentation in the Temple
subject_urlhttps://clevelandart.org/art/1954.140.4
typeimage
Distance0.07914889
Providercma
Depiction ID1954.140.5_alt0_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.08170402
Providercma
Depiction ID1954.140.5_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.095409036
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.098760664
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.10436571
Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.10520053
Providercma
Depiction ID1951.120.67.a_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.10630417
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.10834634
Providercma
Depiction ID1942.169.89.a_web
Subject ID1942.169.89.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.89.a/1942.169.89.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Adoration of the Magi, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.89.a
subject_titleBook of Hours (Use of Paris): Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1942.169.89.a
typeimage
Distance0.11005807
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.11260164
Providermetmuseum
Depiction IDmetmuseum:461127:primaryImage
Subject IDmetmuseum:461127
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2482.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2482.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleAdoration of the Magi
subject_urlhttps://www.metmuseum.org/art/collection/search/461127
typeimage
Distance0.11271709
Providercma
Depiction ID1942.169.93.b_web
Subject ID1942.169.93.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.93.b/1942.169.93.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.93.b
subject_titleBook of Hours (Use of Paris): Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1942.169.93.b
typeimage
Distance0.11346418
Providercma
Depiction ID1952.227.64.a_web
Subject ID1952.227.64.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.64.a/1952.227.64.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.); codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.64.a
subject_titleBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1952.227.64.a
typeimage
Distance0.11358869
Providercma
Depiction ID1964.40.78.b_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.114123106
Providermetmuseum
Depiction IDmetmuseum:192738:primaryImage
Subject IDmetmuseum:192738
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/es/original/ES340.jpg
previewhttps://images.metmuseum.org/CRDImages/es/web-large/ES340.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Benjamin Altman, 1913
subject_titleThe Adoration of the Shepherds
subject_urlhttps://www.metmuseum.org/art/collection/search/192738
typeimage
Distance0.1156041
Providermetmuseum
Depiction IDmetmuseum:466330:primaryImage
Subject IDmetmuseum:466330
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT5270.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT5270.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titleManuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual
subject_urlhttps://www.metmuseum.org/art/collection/search/466330
typeimage
Distance0.11657661
Providercma
Depiction ID1964.40.78.b_alt1_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.117794216
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.119235694
Providercma
Depiction ID1941.68.a_alt2_web
Subject ID1941.68.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.68.a/1941.68.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Adoration of the Magi, c. 1424. Austria, Salzburg. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1941.68.a
subject_titleThe Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1941.68.a
typeimage
Distance0.119235694
Providercma
Depiction ID1941.68.a_alt1_web
Subject ID1941.68.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.68.a/1941.68.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Adoration of the Magi, c. 1424. Austria, Salzburg. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1941.68.a
subject_titleThe Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1941.68.a
typeimage