Leaf from a Book of Hours: Presentation in the Temple
Providercma
Depiction ID1954.140.4_web
Subject ID1954.140.4
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1954.140.4_web
Subject ID1954.140.4
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.4/1954.140.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Presentation in the Temple, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.4
subject_titleLeaf from a Book of Hours: Presentation in the Temple
subject_urlhttps://clevelandart.org/art/1954.140.4
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.020508349
Providercma
Depiction ID1954.140.4_alt0_web
Subject ID1954.140.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.4/1954.140.4_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Presentation in the Temple, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.4
subject_titleLeaf from a Book of Hours: Presentation in the Temple
subject_urlhttps://clevelandart.org/art/1954.140.4
typeimage
Distance0.07501835
Providercma
Depiction ID1954.140.5_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.08024675
Providercma
Depiction ID1954.140.5_alt0_web
Subject ID1954.140.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.5/1954.140.5_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Virgin and Child Enthroned, c. 1470–1480. Circle of Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.3 cm (4 1/16 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.5
subject_titleLeaf from a Book of Hours: Virgin and Child Enthroned
subject_urlhttps://clevelandart.org/art/1954.140.5
typeimage
Distance0.10023743
Providercma
Depiction ID1942.169.89.a_web
Subject ID1942.169.89.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.89.a/1942.169.89.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Adoration of the Magi, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.89.a
subject_titleBook of Hours (Use of Paris): Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1942.169.89.a
typeimage
Distance0.10130137
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.104167104
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.107807994
Providermetmuseum
Depiction IDmetmuseum:461127:primaryImage
Subject IDmetmuseum:461127
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2482.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2482.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleAdoration of the Magi
subject_urlhttps://www.metmuseum.org/art/collection/search/461127
typeimage
Distance0.10889965
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.10970241
Providercma
Depiction ID1964.40.78.b_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.11114758
Providercma
Depiction ID1942.169.93.b_web
Subject ID1942.169.93.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.93.b/1942.169.93.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.93.b
subject_titleBook of Hours (Use of Paris): Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1942.169.93.b
typeimage
Distance0.11257666
Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.113315046
Providercma
Depiction ID1964.40.78.b_alt1_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.11391342
Providercma
Depiction ID1952.227.64.a_web
Subject ID1952.227.64.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.64.a/1952.227.64.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.); codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.64.a
subject_titleBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1952.227.64.a
typeimage
Distance0.114481986
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.114827335
Providermetmuseum
Depiction IDmetmuseum:338291:primaryImage
Subject IDmetmuseum:338291
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP873256.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP873256.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of J. Pierpont Morgan, 1923
subject_titleSt. Anne with the Virgin and the Christ Child
subject_urlhttps://www.metmuseum.org/art/collection/search/338291
typeimage
Distance0.115745366
Providercma
Depiction ID1951.120.67.a_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.11795598
Providercma
Depiction ID1964.40.96.a_alt2_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.11852336
Providercma
Depiction ID1987.4_web
Subject ID1987.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1987.4/1987.4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMiniature from a Speculum Historiale: Claudius Designates Nero as His Successor, 1447–60. Master of Jouvenel des Ursins (French, active 1447–60). Ink, tempera, and gold on vellum; sheet: 12.9 x 9.7 cm (5 1/16 x 3 13/16 in.); framed: 44.5 x 34.3 cm (17 1/2 x 13 1/2 in.); matted: 40.6 x 30.5 cm (16 x 12 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.4
subject_titleMiniature from a Speculum Historiale: Claudius Designates Nero as His Successor
subject_urlhttps://clevelandart.org/art/1987.4
typeimage
Distance0.118700564
Providercma
Depiction ID1964.40.161.b_alt0_web
Subject ID1964.40.161.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.161.b/1964.40.161.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage
Distance0.120491505
Providercma
Depiction ID1964.40.161.b_web
Subject ID1964.40.161.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.161.b/1964.40.161.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage