Pure Tones among Hills and Waters
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Subject ID1954.262
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Providercma
Depiction ID1954.262_alt7_web
Subject ID1954.262
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
subject_urlhttps://clevelandart.org/art/1954.262
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAutumn Mist in the Countryside, 1647. Zou Zhe (Chinese, c. 1610-before 1688). Handscroll; ink and color on paper; overall: 29.5 x 280 cm (11 5/8 x 110 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.59
subject_titleAutumn Mist in the Countryside
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape in the Style of Huang Gongwang (仿黃公望山水圖), 1649. Gu Tianzhi (Chinese, active mid-1600s). Handscroll; ink and color on paper; overall: 25.5 x 717.5 cm (10 1/16 x 282 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.3
subject_titleLandscape in the Style of Huang Gongwang
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
subject_urlhttps://clevelandart.org/art/1954.262
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Providercma
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Subject ID1954.262
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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provider_nameThe Metropolitan Museum of Art
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subject_titleRiver Landscape
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape in the Style of Huang Gongwang (仿黃公望山水圖), 1649. Gu Tianzhi (Chinese, active mid-1600s). Handscroll; ink and color on paper; overall: 25.5 x 717.5 cm (10 1/16 x 282 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.3
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGreen Peaks under Clear Sky: After Huang Gongwang (仿大癡晴巒霽翠圖), 1703–8. Wang Yuanqi (Chinese, 1642–1715). Handscroll; ink and light color on paper; overall: 37.5 x 267 cm (14 3/4 x 105 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.153
subject_titleGreen Peaks under Clear Sky: After Huang Gongwang
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineTen Thousand Li of the Yangzi (長江萬里), c. 1400s. Dai Jin (Chinese, 1388–1462). Handscroll; ink and color on paper; overall: 34.3 x 1172.2 cm (13 1/2 x 461 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.140
subject_titleTen Thousand Li of the Yangzi
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Providercma
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Subject ID1954.262
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape in the Style of Huang Gongwang (仿黃公望山水圖), 1649. Gu Tianzhi (Chinese, active mid-1600s). Handscroll; ink and color on paper; overall: 25.5 x 717.5 cm (10 1/16 x 282 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.3
subject_titleLandscape in the Style of Huang Gongwang
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typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAutumn Mist in the Countryside, 1647. Zou Zhe (Chinese, c. 1610-before 1688). Handscroll; ink and color on paper; overall: 29.5 x 280 cm (11 5/8 x 110 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.59
subject_titleAutumn Mist in the Countryside
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typeimage
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Providercma
Depiction ID1979.76_alt1_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSnow Coloring the World White, 1690. Fa Ruozhen (Chinese, 1613–1696). Handscroll; ink on paper; image: 29.3 x 297.2 cm (11 9/16 x 117 in.). The Cleveland Museum of Art, John L. Severance Fund, 1979.76
subject_titleSnow Coloring the World White
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
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subject_titleTen Thousand Li of the Yangzi
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMt. Taibo in the Style of Wang Meng (臨王蒙太白山圖), 1442. Du Qiong (Chinese, 1396–1474). Handscroll; ink and light color on paper; painting: 29.8 x 527.1 cm (11 3/4 x 207 1/2 in.); overall: 30.6 x 976.7 cm (12 1/16 x 384 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1968.195
subject_titleMt. Taibo in the Style of Wang Meng
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provider_nameCleveland Museum of Art
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typeimage