Samantabhadra spinning clouds of things, folio 22 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
Providercma
Depiction ID1955.49.6.a_alt0_web
Subject ID1955.49.6.a
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Providercma
Depiction ID1955.49.6.a_alt0_web
Subject ID1955.49.6.a
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
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previewhttps://openaccess-cdn.clevelandart.org/1955.49.6.a/1955.49.6.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSamantabhadra spinning clouds of things, folio 22 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.6.a
subject_titleSamantabhadra spinning clouds of things, folio 22 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.6.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.90.a
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Providercma
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Subject ID1955.49.7.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.a
subject_titleBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.a
typeimage
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Providermetmuseum
Depiction IDmetmuseum:74856:primaryImage
Subject IDmetmuseum:74856
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleBodhisattva in a Mountain Grotto, Playing a Stringed Instrument (Vina), Leaf from a Dispersed Pancavimsatisahasrika Prajnapramita Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74856
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.b
typeimage
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Providermetmuseum
Depiction IDmetmuseum:74890:primaryImage
Subject IDmetmuseum:74890
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineAnonymous Gift, 1985
subject_titleThe Bodhisattva Avalokiteshvara, Folio from a dispersed Ashtasahasrika Prajnapramita (Perfection of Wisdom) Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74890
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.187.a
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.a
subject_titleBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.a
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.90.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.b
subject_titleThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.89.b
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Subject ID1938.301.90.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.90.a
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Providercma
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Subject ID1955.49.1.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.1.a
subject_titleSudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.1.a
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.187.a
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Providermetmuseum
Depiction IDmetmuseum:74857:primaryImage
Subject IDmetmuseum:74857
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/as/original/DP238226.jpg
previewhttps://images.metmuseum.org/CRDImages/as/web-large/DP238226.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleWrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74857
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.1.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.1.b
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSudhana and a pair of antelopes, folio 37 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.5.a
subject_titleSudhana and a pair of antelopes, folio 37 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.5.a
typeimage
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Providermetmuseum
Depiction IDmetmuseum:74853:primaryImage
Subject IDmetmuseum:74853
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleEnthroned Four-armed Bodhisattva, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74853
typeimage
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Providermetmuseum
Depiction IDmetmuseum:37979:primaryImage
Subject IDmetmuseum:37979
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineAnonymous Gift, 1985
subject_titleBodhisattva Manjushri, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/37979
typeimage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.b
subject_titleThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.89.b
typeimage