Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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Subject ID1955.49.7.b
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Subject ID1955.49.7.b
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
subject_urlhttps://clevelandart.org/art/1955.49.7.b
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provider_nameCleveland Museum of Art
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subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.b
subject_titlePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.186.b
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleBodhisattva in a Mountain Grotto, Playing a Stringed Instrument (Vina), Leaf from a Dispersed Pancavimsatisahasrika Prajnapramita Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74856
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.187.a
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineAnonymous Gift, 1985
subject_titleBodhisattva Manjushri, Leaf from a dispersed Ashtasahasrika Prajnapramita (Perfection of Wisdom) Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74891
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleLeaf from an Illuminated Buddhist Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74880
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.b
subject_titleThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.89.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.187.a
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provider_nameCleveland Museum of Art
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subject_creditlineThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.b
subject_titleThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.89.b
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provider_nameCleveland Museum of Art
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subject_creditlineFolio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka, 1428. Western India, Gujarat, possibly Patan. Gum tempera and ink on palm leaf; part 2: 5.7 x 47 cm (2 1/4 x 18 1/2 in.); part 1: 5.7 x 45.7 cm (2 1/4 x 18 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.130
subject_titleFolio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka
subject_urlhttps://clevelandart.org/art/1971.130
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_titleBuddha Enthroned in a Shrine, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/74854
typeimage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.90.a
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Subject ID1971.123.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra, 1279. Western India, Gujarat, Patan (Anahillapura), reign of King Sarangadeva of the Vaghela dynasty (1275-1297). Gum tempera and ink on palm leaf; overall: 4.4 x 35.2 cm (1 3/4 x 13 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.123.a
subject_titleThe Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra
subject_urlhttps://clevelandart.org/art/1971.123.a
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.b
subject_titlePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.186.b
typeimage