Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlineBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.a
subject_titleBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlineText, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.a
subject_titleText, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.b
subject_titlePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlineThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.b
subject_titleThree female figures, folio 89 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.a
subject_titlePrajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlineBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.b
subject_titleBodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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subject_creditlinePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.a
subject_titlePrajnaparamita flanked by a white female figure and a white bodhisattva, folio 90 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_titleBodhisattva in a Mountain Grotto, Playing a Stringed Instrument (Vina), Leaf from a Dispersed Pancavimsatisahasrika Prajnapramita Manuscript
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subject_creditlinePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.b
subject_titlePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlineText, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.a
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subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlinePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 54.3 cm (2 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.1.b
subject_titlePrajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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subject_creditlineBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.7.a
subject_titleBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
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