Historiated Initial (R) Excised from an Antiphonary: The Resurrection
Providercma
Depiction ID1955.76_web
Subject ID1955.76
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1955.76_web
Subject ID1955.76
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.76/1955.76_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (R) Excised from an Antiphonary: The Resurrection, c. 1470–75. Francesco d'Antonio del Cherico (Italian, 1433–1484). Tempera and gold on parchment; sheet: 19.8 x 17.9 cm (7 13/16 x 7 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.76
subject_titleHistoriated Initial (R) Excised from an Antiphonary: The Resurrection
subject_urlhttps://clevelandart.org/art/1955.76
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.14089358
Providercma
Depiction ID1924.804_web
Subject ID1924.804
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.804/1924.804_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb, c. 1420–50. Italy, Milan. Ink, tempera, and gold on parchment; sheet: 13.4 x 14 cm (5 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Ralph King, 1924.804
subject_titleHistoriated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb
subject_urlhttps://clevelandart.org/art/1924.804
typeimage
Distance0.14543533
Providercma
Depiction ID1927.425.1.a_alt1_web
Subject ID1927.425.1.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1927.425.1.a/1927.425.1.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Gradual: Initial (M) with St. Andrew (recto), c. 1480. Jacopo Filippo d' Argenta (Italian, 1501). Ink, tempera, and gold on parchment; sheet: 77 x 52 cm (30 5/16 x 20 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.425.1.a
subject_titleLeaf from a Gradual: Initial (M) with St. Andrew (recto)
subject_urlhttps://clevelandart.org/art/1927.425.1.a
typeimage
Distance0.15082914
Providermetmuseum
Depiction IDmetmuseum:32947:primaryImage
Subject IDmetmuseum:32947
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/tem2321-1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/tem2321-1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Bashford Dean, 1923
subject_titleManuscript Leaf Showing an Illuminated Initial R with The Resurrection
subject_urlhttps://www.metmuseum.org/art/collection/search/32947
typeimage
Distance0.15190142
Providermetmuseum
Depiction IDmetmuseum:32833:primaryImage
Subject IDmetmuseum:32833
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/tem2321-5.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/tem2321-5.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Bashford Dean, 1923
subject_titleManuscript Leaf Showing an Illuminated Initial A and The Resurrection
subject_urlhttps://www.metmuseum.org/art/collection/search/32833
typeimage
Distance0.15354896
Providercma
Depiction ID1927.425.1.a_alt2_web
Subject ID1927.425.1.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1927.425.1.a/1927.425.1.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Gradual: Initial (M) with St. Andrew (recto), c. 1480. Jacopo Filippo d' Argenta (Italian, 1501). Ink, tempera, and gold on parchment; sheet: 77 x 52 cm (30 5/16 x 20 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.425.1.a
subject_titleLeaf from a Gradual: Initial (M) with St. Andrew (recto)
subject_urlhttps://clevelandart.org/art/1927.425.1.a
typeimage
Distance0.15492779
Providercma
Depiction ID1927.425_alt1_web
Subject ID1927.425
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1927.425/1927.425_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Graduals: Initial (M) with St. Andrew (recto) and Mass for the Dead (recto), c. 1480. Jacopo Filippo d' Argenta (Italian, 1501). Ink, tempera, and gold on parchment; sheet: 77 x 52 cm (30 5/16 x 20 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.425
subject_titlePair of Graduals: Initial (M) with St. Andrew (recto) and Mass for the Dead (recto)
subject_urlhttps://clevelandart.org/art/1927.425
typeimage
Distance0.15692294
Providermetmuseum
Depiction IDmetmuseum:469963:primaryImage
Subject IDmetmuseum:469963
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/h1_1998.179.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/h1_1998.179.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Max Falk, in honor of William D. Wixom, 1998
subject_titleManuscript Leaf with the Last Judgment, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/469963
typeimage
Distance0.1574291
Providercma
Depiction ID1951.120.204.b_alt0_web
Subject ID1951.120.204.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.204.b/1951.120.204.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.204.b
subject_titleBook of Hours (Use of Paris): Fol. 204v, Last Judgment
subject_urlhttps://clevelandart.org/art/1951.120.204.b
typeimage
Distance0.15927649
Providermetmuseum
Depiction IDmetmuseum:466369:primaryImage
Subject IDmetmuseum:466369
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DP-34701-001.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DP-34701-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleManuscript Leaf with the Mocking and Flagellation of Christ, from a Royal Psalter
subject_urlhttps://www.metmuseum.org/art/collection/search/466369
typeimage
Distance0.16101831
Providermetmuseum
Depiction IDmetmuseum:461128:primaryImage
Subject IDmetmuseum:461128
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/DT3620.jpg
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/DT3620.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleLast Judgment in an Initial C
subject_urlhttps://www.metmuseum.org/art/collection/search/461128
typeimage
Distance0.16133511
Providercma
Depiction ID1964.40.128.a_web
Subject ID1964.40.128.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.128.a/1964.40.128.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 128r, Man of Sorrows, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.128.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 128r, Man of Sorrows
subject_urlhttps://clevelandart.org/art/1964.40.128.a
typeimage
Distance0.16145456
Providercma
Depiction ID1962.287.64.a_web
Subject ID1962.287.64.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.287.64.a/1962.287.64.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 64r, Christ in Majesty, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.64.a
subject_titleThe Gotha Missal: Fol. 64r, Christ in Majesty
subject_urlhttps://clevelandart.org/art/1962.287.64.a
typeimage
Distance0.16215056
Providercma
Depiction ID1962.287.1.a_alt1_web
Subject ID1962.287.1.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.287.1.a/1962.287.1.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 1r, Trinity and Resurrection , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.1.a
subject_titleThe Gotha Missal: Fol. 1r, Trinity and Resurrection
subject_urlhttps://clevelandart.org/art/1962.287.1.a
typeimage
Distance0.16619247
Providercma
Depiction ID1951.120.118.a_alt0_web
Subject ID1951.120.118.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.118.a/1951.120.118.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.118.a
subject_titleBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul
subject_urlhttps://clevelandart.org/art/1951.120.118.a
typeimage
Distance0.16636825
Providercma
Depiction ID1962.287.1.a_web
Subject ID1962.287.1.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.287.1.a/1962.287.1.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 1r, Trinity and Resurrection , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.1.a
subject_titleThe Gotha Missal: Fol. 1r, Trinity and Resurrection
subject_urlhttps://clevelandart.org/art/1962.287.1.a
typeimage
Distance0.1677655
Providermetmuseum
Depiction IDmetmuseum:476566:primaryImage
Subject IDmetmuseum:476566
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/cl/original/DP148560.jpg
previewhttps://images.metmuseum.org/CRDImages/cl/web-large/DP148560.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Cloisters Collection, 2006
subject_titleManuscript Leaf with the Martyrdom of Saint Bartholomew, from a Laudario
subject_urlhttps://www.metmuseum.org/art/collection/search/476566
typeimage
Distance0.16836214
Providercma
Depiction ID1951.120.118.a_web
Subject ID1951.120.118.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.118.a/1951.120.118.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.118.a
subject_titleBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul
subject_urlhttps://clevelandart.org/art/1951.120.118.a
typeimage
Distance0.1685797
Providermetmuseum
Depiction IDmetmuseum:467525:primaryImage
Subject IDmetmuseum:467525
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf32-100-477s1at.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf32-100-477s1at.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Illumination with Initial Q, from a Choir Book
subject_urlhttps://www.metmuseum.org/art/collection/search/467525
typeimage
Distance0.17019081
Providermetmuseum
Depiction IDmetmuseum:382402:primaryImage
Subject IDmetmuseum:382402
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813506.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP813506.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of James Clark McGuire, 1930
subject_titleThe Man of Sorrows between Two Angels
subject_urlhttps://www.metmuseum.org/art/collection/search/382402
typeimage
Distance0.17044187
Providercma
Depiction ID1951.120.204.b_web
Subject ID1951.120.204.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.204.b/1951.120.204.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.204.b
subject_titleBook of Hours (Use of Paris): Fol. 204v, Last Judgment
subject_urlhttps://clevelandart.org/art/1951.120.204.b
typeimage