Bifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso)
Providercma
Depiction ID1955.79.2_alt0_web
Subject ID1955.79.2
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1955.79.2_alt0_web
Subject ID1955.79.2
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.2/1955.79.2_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 17 x 12.5 cm (6 11/16 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.2
subject_titleBifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.2
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.073385954
Providercma
Depiction ID1955.79_alt1_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.0806272
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.080964744
Providercma
Depiction ID1951.120.67.a_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.082074106
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.08768046
Providercma
Depiction ID1955.79.1_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.087949395
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.09282869
Providercma
Depiction ID1954.140.2_web
Subject ID1954.140.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.2/1954.140.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Coronation of the Virgin, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.2
subject_titleLeaf from a Book of Hours: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1954.140.2
typeimage
Distance0.09381473
Providercma
Depiction ID1964.40.96.a_alt2_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.09506869
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.09636867
Providercma
Depiction ID1953.24_web
Subject ID1953.24
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.24/1953.24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from an Antiphonary: Coronation of the Virgin, 1400s. Attributed to Master of the Beffi Triptych (Italian, active 1390–1425). Ink, tempera, and gold on vellum; sheet: 55 x 37 cm (21 5/8 x 14 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.24
subject_titleLeaf from an Antiphonary: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1953.24
typeimage
Distance0.097218335
Providercma
Depiction ID1954.140.2_alt0_web
Subject ID1954.140.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.2/1954.140.2_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Coronation of the Virgin, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.2
subject_titleLeaf from a Book of Hours: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1954.140.2
typeimage
Distance0.098038316
Providercma
Depiction ID1953.145.3_web
Subject ID1953.145.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.145.3/1953.145.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf Excised from a Psalter: The Pentecost, c. 1260. Flanders, Liège(?), 13th century. Tempera and burnished gold on vellum; sheet: 12.5 x 8.4 cm (4 15/16 x 3 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.3
subject_titleLeaf Excised from a Psalter: The Pentecost
subject_urlhttps://clevelandart.org/art/1953.145.3
typeimage
Distance0.100622594
Providercma
Depiction ID1982.141_web
Subject ID1982.141
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1982.141/1982.141_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue), c. 1300. France, Beauvais, late 13th-early 14th Century. Ink, tempera, and gold on vellum; sheet: 28.5 x 20 cm (11 1/4 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Milton Freudenheim in memory of Otto Ege, 1982.141
subject_titleLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue)
subject_urlhttps://clevelandart.org/art/1982.141
typeimage
Distance0.10288453
Providercma
Depiction ID1964.40.78.b_alt1_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.10330737
Providercma
Depiction ID1964.40.78.b_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.10346043
Providercma
Depiction ID1953.366.1_alt1_web
Subject ID1953.366.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366.1/1953.366.1_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366.1
subject_titleLeaf from a Book of Hours: The Visitation
subject_urlhttps://clevelandart.org/art/1953.366.1
typeimage
Distance0.10413617
Providercma
Depiction ID1942.169.50.a_web
Subject ID1942.169.50.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.50.a/1942.169.50.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
subject_urlhttps://clevelandart.org/art/1942.169.50.a
typeimage
Distance0.104846835
Providermetmuseum
Depiction IDmetmuseum:467520:primaryImage
Subject IDmetmuseum:467520
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf32-100-475Fs1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf32-100-475Fs1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Leaf from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467520
typeimage
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Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.10631049
Providercma
Depiction ID1951.120.37.a_alt0_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage