It is Better to be Lazy, Plate 73
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Subject ID1956.276
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Providercma
Depiction ID1956.276_web
Subject ID1956.276
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.2 x 15 cm (8 3/8 x 5 7/8 in.); sheet: 30.8 x 22.2 cm (12 1/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.276
subject_titleIt is Better to be Lazy, Plate 73
subject_urlhttps://clevelandart.org/art/1956.276
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
subject_urlhttps://clevelandart.org/art/1922.601
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 44 from "Los Caprichos": They spin finely (Hilan delgado)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
subject_urlhttps://clevelandart.org/art/1922.602
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
subject_urlhttps://www.metmuseum.org/art/collection/search/377785
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleSalamon de Caus at Bicêtre
subject_urlhttps://www.metmuseum.org/art/collection/search/819464
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleHamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I)
subject_urlhttps://www.metmuseum.org/art/collection/search/739701
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Providercma
Depiction ID1922.639_web
Subject ID1922.639
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Spin Finely, Plate 44, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.639
subject_titleThey Spin Finely, Plate 44
subject_urlhttps://clevelandart.org/art/1922.639
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe rose like those small sea monsters that decorate the fountains, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831187
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleDromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2)
subject_urlhttps://www.metmuseum.org/art/collection/search/739703
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Providercma
Depiction ID1922.561_web
Subject ID1922.561
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: And This Too, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.561
subject_titleThe Horrors of War: And This Too
subject_urlhttps://clevelandart.org/art/1922.561
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
subject_urlhttps://www.metmuseum.org/art/collection/search/360413
typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, 1934
subject_titleLes Adieux (The Farewells), from Le Monument du Costume
subject_urlhttps://www.metmuseum.org/art/collection/search/364281
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Providercma
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provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Shamefaced One, Plate 54, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.649
subject_titleThe Shamefaced One, Plate 54
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subject_titleThe Sculptors
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subject_titlePlate 3: Robert Macaire, journalist, from 'Caricaturana,' published in Le Charivari, September 10, 1836
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